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Illustration of Charles Leandre (1862-1934) for the Cover of Le Rire

Illustration of Charles Leandre (1862-1934) for the Cover of Le Rire


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Illustration of Charles Leandre (1862-1934) for the Cover of Le Rire

ICA4866622 Illustration of Charles Leandre (1862-1934) for the Cover of Le Rire, 25/10/13 - At the Council of Pau: the excommunies - Religion Faith, President of the Republic, Chapeau, Armchair (symbol of power) - Combes Emile (1835-1921), Marianne, Poincare Raymond, Barthou Jean-Louis (1862-1934), Pelletan Camille (1846-1934) by Leandre, Charles (1862-1934); (add.info.: Illustration of Charles Leandre (1862-1934) for the Cover of Le Rire, 25/10/13 - At the Council of Pau: the excommunies - Religion Faith, President of the Republic, Chapeau, Armchair (symbol of power) - Combes Emile (1835-1921), Marianne, Poincare Raymond, Barthou Jean-Louis (1862-1934), Pelletan Camille (1846-1934)); Photo eCaricadoc; French, out of copyright

Media ID 22827250

© Caricadoc / Bridgeman Images

Excommunication Franc Masonry Marianne Punched Raymond 1860 1934 Woman Symbol A Journal Caricadoc Jewish Religion Jews


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EDITORS COMMENTS
This print captures an illustration by Charles Leandre (1862-1934) for the cover of Le Rire, a French satirical magazine. The artwork, titled "At the Council of Pau: the excommunies - Religion Faith" showcases a powerful scene filled with symbolism and political figures. In this thought-provoking image, we see various prominent individuals gathered around a table at the Council of Pau. The President of the Republic sits in an armchair, symbolizing authority and power. Surrounding him are Combes Emile (1835-1921), Marianne (the symbol of France), Poincare Raymond, Barthou Jean-Louis (1862-1934), and Pelletan Camille (1846-1934). Each figure represents different aspects of society and politics during that time. Leandre's intricate engraving skillfully incorporates elements such as religion, faith, Jewish culture, allegory, caricatured symbols like Marianne representing France's national identity. It also subtly alludes to Freemasonry through its depiction. The artist's use of lithograph technique adds depth to this historical piece while maintaining its originality. This photograph provides us with a glimpse into early 20th-century French society and politics through Leandre's unique artistic lens. Preserved by Bridgeman Images from eCaricadoc archives, this remarkable print serves as both an artistic masterpiece and a valuable historical artifact showcasing Charles Leandre's talent in capturing complex themes within his illustrations.

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