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Cover of "Le Grelot", number 959, Satirique en Couleurs

Cover of 'Le Grelot', number 959, Satirique en Couleurs


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Cover of "Le Grelot", number 959, Satirique en Couleurs

ICA4919801 Cover of " Le Grelot", number 959, Satirique en Couleurs, 1889_8_25: They don t desarment - Anticlericalism, Modernite, Boulanger affair - Eg with reactionaries - Boulanger Georges (1837-1891), Rochefort Henri (1831-1913), Carrot, Jesuites - Illustration by Edouard Guillaumin (Pepin () 2-1910) by Pepin, Edouard Guillaumin (1842-1927); (add.info.: Cover of " Le Grelot", number 959, Satirique en Couleurs, 1889_8_25: They don t desarment - Anticlericalism, Modernite, Boulanger affair - Eg with reactionaries - Boulanger Georges (1837-1891), Rochefort Henri (1831-1913), Carrot, Jesuites - Illustration by Edouard Guillaumin (Pepin () 2-1910)); Photo eCaricadoc; French, out of copyright

Media ID 22322996

© Caricadoc / Bridgeman Images

Hygiene Journalist Star A Journal Caricadoc Journalism Newspapers


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> Animals > Farm > Related Images

> Arts > Realistic drawings > Wildlife illustrations > Fine art

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> Popular Themes > Religious Images


EDITORS COMMENTS
The print captures the cover of "Le Grelot" number 959, Satirique en Couleurs, dated August 25,1889. The artwork depicts a satirical scene filled with political and social commentary. Titled "They don't disarm" the illustration focuses on themes such as anticlericalism, modernity, and the Boulanger affair. In this vibrant image created by Edouard Guillaumin (Pepin), we see various figures representing different factions in French society during that time. Among them are Georges Boulanger and Henri Rochefort, prominent military and political figures known for their controversial views. The caricature also includes a clergyman named Carrot and Jesuites who symbolize religious orders. A journalist is seen alongside them, emphasizing the role of media in shaping public opinion. A horseman stands at the center of attention while a young girl observes from behind him. This juxtaposition suggests that even amidst political turmoil, innocence remains present but vulnerable. Through clever use of satire and symbolism, Guillaumin highlights societal issues prevalent in late 19th-century France. The engraving not only reflects tensions surrounding politics but also touches upon hygiene concerns related to animal health. This piece offers valuable insights into French history during this period while showcasing Guillaumin's skill as an artist and satirist.

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