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Cover of "Le Don Quixote", number 645, Satirique en Colours

Cover of 'Le Don Quixote', number 645, Satirique en Colours


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Cover of "Le Don Quixote", number 645, Satirique en Colours

ICA4927536 Cover of " Le Don Quixote", number 645, Satirique en Colours, 1886_10_30: Le spectre noir - Anticlericalism - Teaching, Laicisation - Cures - Illustration by Charles Gilbert-Martin (1839-1905) by Gilbert-Martin, Charles (1839-1905); (add.info.: Cover of " Le Don Quixote", number 645, Satirique en Colours, 1886_10_30: Le spectre noir - Anticlericalism - Teaching, Laicisation - Cures - Illustration by Charles Gilbert-Martin (1839-1905)); Photo eCaricadoc; French, out of copyright

Media ID 22835042

© Caricadoc / Bridgeman Images

Anticlericalism Association Carnival Casket Circus Disguising Laicite Oppposition Physical Deformations Postures A Journal Caricadoc Journalism Newspapers


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EDITORS COMMENTS
This print showcases the cover of "Le Don Quixote" number 645, Satirique en Colours. Created in 1886 by Charles Gilbert-Martin, this illustration delves into themes of anticlericalism and teaching, shedding light on the concept of laicisation and its impact on religious orders. The image depicts a child dressed as a spectre noir, symbolizing opposition to the clergy and their influence on education. The vibrant colors and intricate details bring this piece to life, capturing the essence of childhood playfulness amidst a carnival-like atmosphere. The young boy's disguise serves as a metaphor for disguising one's true beliefs or questioning societal norms. As we delve into the historical context surrounding this artwork, it becomes evident that it was published in association with a journal focused on satire and caricature. This engraving not only reflects physical deformations but also challenges established power structures through clever visual storytelling. Transporting us back to the 19th century, this print offers an intriguing glimpse into French society during that time period. It serves as a reminder of how art can be used as a powerful tool for social commentary and critique. Overall, this image invites viewers to explore complex themes such as religion, youth, education, and freedom of expression within European society at that time.

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