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Cover of "Le Don Quixote", number 948, Satirique en Colours

Cover of 'Le Don Quixote', number 948, Satirique en Colours


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Cover of "Le Don Quixote", number 948, Satirique en Colours

ICA4925661 Cover of " Le Don Quixote", number 948, Satirique en Colours, 1892_8_28: Notre-Dame de Lourdes - Academie francaise - Lourdes - Zola Emile - Illustration by Charles Gilbert-Martin (1839-1905) by Gilbert-Martin, Charles (1839-1905); (add.info.: Cover of " Le Don Quixote", number 948, Satirique en Colours, 1892_8_28: Notre-Dame de Lourdes - Academie francaise - Lourdes - Zola Emile - Illustration by Charles Gilbert-Martin (1839-1905)); Photo eCaricadoc; French, out of copyright

Media ID 23344110

© Caricadoc / Bridgeman Images

Candle Emile 1840 1902 French Academy Heavy Infantilisation Woman Symbol Zola Zola Emile 1840 1902 A Journal Aureole Caricadoc Journalism Newspapers


FEATURES IN THESE COLLECTIONS

> Arts > Artists > M > Charles Martin

> Arts > Artists > Z > Emile Zola

> Arts > Authors

> Arts > Literature > Illustration

> Europe > France > Heritage Sites > Cathedral of Notre-Dame, Former Abbey

> Fine Art Finder > Artists > Charles Gilbert-Martin


EDITORS COMMENTS
This print showcases the cover of "Le Don Quixote", number 948, Satirique en Colours. Created in 1892, this artwork is a true representation of its time and captures the essence of French literature and culture during the late 19th century. The illustration by Charles Gilbert-Martin depicts Notre-Dame de Lourdes, Academie francaise, and Lourdes - all significant landmarks in France. The image also features Emile Zola, a renowned writer who made a lasting impact on French literature. The engraving beautifully combines elements such as an aureole, crown, costume, book, candle to symbolize religious themes and the heavy influence they had on society at that time. What makes this artwork even more intriguing is its satirical nature. Through caricature and nudity depicted in the engraving's style, it challenges societal norms while commenting on various aspects of French life including politics and journalism. As we delve into this piece from the past century with its intricate details and symbolism carefully crafted by Charles Gilbert-Martin himself; we are transported back to a time where art served as both entertainment and social commentary. This print serves as a reminder of how art can transcend time; allowing us to reflect upon our history while appreciating the artistic genius behind each stroke.

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