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Cover of "Le Don Quixote", number 441, Satirique en Couleurs

Cover of 'Le Don Quixote', number 441, Satirique en Couleurs


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Cover of "Le Don Quixote", number 441, Satirique en Couleurs

ICA4927221 Cover of " Le Don Quixote", number 441, Satirique en Couleurs, 1882_12_1: Le Roys amuse - Anticlericalism, Monarchy - Eg with reactionaries - Henri V Comte de Chambord (Henri d Artois, 1820-1883) - Illustration by Charles Gilbert-Martin (1839-1905) by Gilbert-Martin, Charles (1839-1905); (add.info.: Cover of " Le Don Quixote", number 441, Satirique en Couleurs, 1882_12_1: Le Roys amuse - Anticlericalism, Monarchy - Eg with reactionaries - Henri V Comte de Chambord (Henri d Artois, 1820-1883) - Illustration by Charles Gilbert-Martin (1839-1905)); Photo eCaricadoc; French, out of copyright

Media ID 22565150

© Caricadoc / Bridgeman Images

Chamber Pot Eveque Hygiene Infantilisation Laughable Royalist Movement A Journal Caricadoc Journalism Newspapers


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> Arts > Artists > C > King Charles

> Arts > Artists > M > Charles Martin

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EDITORS COMMENTS
This print showcases the cover of "Le Don Quixote" number 441, Satirique en Couleurs. Created in 1882, this satirical piece titled "Le Roys amuse" humorously depicts various themes such as anticlericalism and monarchy. The illustration by Charles Gilbert-Martin portrays Henri V Comte de Chambord (Henri d Artois), a prominent figure during that time. The image features a chamber pot with military toys and a crown, symbolizing the laughable nature of the clergy and nobility. A child is shown laughing at these figures, highlighting the infantilization of society's powerful individuals. Additionally, religious orders are depicted alongside King Henri V and his royalist movement. The composition also includes elements like furniture, an army journal, an eveque (bishop), a chair with Jesus on it, emphasizing the intertwining relationship between religion and politics during this era. This print offers valuable insights into French society in the late 19th century. It reflects societal attitudes towards authority figures while providing commentary on power dynamics within France's political landscape. As part of Bridgeman Images' collection from Fine Art Finder, this historical artwork captures both artistic skill and social critique through its intricate details and thought-provoking symbolism.

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