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The new housemaid. Illustration for Le Rire (colour litho)

The new housemaid. Illustration for Le Rire (colour litho)


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The new housemaid. Illustration for Le Rire (colour litho)

2786207 The new housemaid. Illustration for Le Rire (colour litho) by Faivre, Jules Abel (1867-1945); Private Collection; (add.info.: The new housemaid. Illustration for Le Rire, 25 November 1905.); © Look and Learn

Media ID 23130116

© Look and Learn / Bridgeman Images

Attendant Butler Chambermaids Cleaner Cleaning Lady Domestic Service Governess Housekeeper Housemaid Interview Le Rire Maid Servant Maidservant Misunderstanding Caricatures Conversation Maid


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The New Housemaid - A Satirical Take on Domestic Service in 1905 France

EDITORS COMMENTS
. This colorful lithograph, titled "The New Housemaid" captures the essence of humor and conversation prevalent in early 20th-century French society. Created by Jules Abel Faivre for the renowned magazine Le Rire, this illustration offers a satirical commentary on the dynamics between employers and their domestic staff. Set against a backdrop of an elegant household, we witness a comical misunderstanding unfold. The caricatured housemaid, with her exaggerated features and humorous expressions, engages in an interview with her potential employer. As she attempts to impress him with her cleaning skills, chaos ensues as she inadvertently creates more mess than order. Faivre's clever use of satire highlights the social hierarchy within French culture at that time. The maid-servant relationship was often fraught with tension and miscommunication due to differences in class and status. Through his scathing wit, Faivre exposes these nuances while simultaneously providing entertainment for readers. "The New Housemaid" serves as a reminder of how art can reflect societal norms and shed light on everyday situations through humor. This satirical cartoon continues to captivate audiences today by offering glimpses into historical perspectives on domestic service while showcasing Faivre's artistic talent.

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