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U no Matsuri, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka. U no Matsuri, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka
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U no Matsuri, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka. U no Matsuri, from the series "Pictures of No Performances (Nogaku Zue)", 1898. Creator: Kogyo Tsukioka
U no Matsuri, from the series "Pictures of No Performances (Nogaku Zue)", 1898
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Media ID 24372021
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Bennosuke Tsukioka Hanyu Sadanosuke Kimonos Kogyo Sakamaki Kogyo Tsukioka Kohan Mask Masked Masks Meiji Era Meiji Period Nenkyu Sadanosuke Hanyu Sakamaki Kogyo Show Trousers Tsukioka Bennosuke Tsukioka Kogyo Wide Legged Trousers Colour Woodblock Print Playhouse
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The print titled "U no Matsuri, from the series 'Pictures of No Performances (Nogaku Zue)', 1898" captures a captivating scene from traditional Japanese theater. Created by Kogyo Tsukioka during the Meiji era, this artwork showcases the rich heritage and artistic brilliance of Japan. In this vibrant image, we see a male performer dressed in an elaborate kimono and wearing a striking mask. The actor's costume is meticulously detailed, reflecting the intricate craftsmanship and attention to detail that characterize traditional Japanese theater. The play depicted here is called "U no Matsuri" which translates to "Festival at U". The festival atmosphere comes alive through the colorful bird motifs adorning both the actor's clothing and backdrop. These symbolic birds add depth and meaning to the performance, enhancing its visual impact. Tsukioka skillfully employs color woodblock printing techniques to bring this theatrical moment to life. The use of bold colors creates a sense of drama and excitement while showcasing his mastery as an artist. This artwork not only serves as a testament to Tsukioka's talent but also provides us with a glimpse into Japan's cultural history. It invites us to appreciate the beauty and complexity of Noh performances while celebrating their enduring significance in Japanese artistry. Displayed at the Art Institute Chicago, this piece stands as a reminder of how art can transcend time, allowing us to connect with different eras and cultures through visual storytelling.
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