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Narcissus. Illustration shows William Jennings Bryan as Narcissus sitting
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Narcissus. Illustration shows William Jennings Bryan as Narcissus sitting
Narcissus. Illustration shows William Jennings Bryan as Narcissus sitting on a rock beside a pool of water labeled Democratic Sentiment, staring at his reflection. Date 1908 February 5. Narcissus. Illustration shows William Jennings Bryan as Narcissus sitting on a rock beside a pool of water labeled Democratic Sentiment, staring at his reflection. Date 1908 February 5
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Narcissus - The Absorbed Democrat,
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Puck Magazine, February 5, 1908. This illustration from Puck Magazine, published on February 5, 1908, presents a unique take on the classic mythological figure of Narcissus. In this rendition, the Democratic politician William Jennings Bryan is depicted as the self-absorbed Narcissus, sitting on a rock beside a tranquil pool of water labeled "Democratic Sentiment." The reflection in the water mirrors Bryan's image, symbolizing his excessive self-admiration and obsession with his own political image. The illustration is a commentary on Bryan's political career and his unwavering belief in the Democratic Party. The artist skillfully captures the essence of the mythological Narcissus, who was so enamored with his own reflection that he could not tear himself away, ultimately leading to his downfall. Similarly, Bryan's fixation on his own political image and the Democratic sentiment may have hindered his ability to effectively lead and adapt to the changing political landscape. Puck Magazine, a well-known American humor publication, was known for its satirical and politically-charged illustrations. This cartoon serves as a reminder of the power of self-reflection and the potential dangers of excessive self-absorption, even in the realm of politics. The image of Bryan as Narcissus is a thought-provoking and timeless commentary on the human condition and the complexities of political leadership. This illustration, from the extensive collection of Mary Evans Prints Online, offers a unique perspective on the intersection of mythology, politics, and satire in the early 20th century. It is a valuable addition to any collection focused on American political history, mythology, or satirical art.
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