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Santiago de Chile from the Hill of Santa Lucia looking to the west, 1841 (oil on canvas)
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Santiago de Chile from the Hill of Santa Lucia looking to the west, 1841 (oil on canvas)
1275769 Santiago de Chile from the Hill of Santa Lucia looking to the west, 1841 (oil on canvas) by Rugendas, Johann Moritz (1802-58); 58x91.4 cm; Private Collection; Photo eChristies Images; German, out of copyright
Media ID 23693614
© Christie's Images / Bridgeman Images
Aerial View Chile Chilean Hilltop Latin America Latin American Santa Lucia Tourists Monks Santiago De Chile
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EDITORS COMMENTS
This oil painting, "Santiago de Chile from the Hill of Santa Lucia looking to the west, 1841" by Johann Moritz Rugendas, offers a mesmerizing glimpse into the vibrant cityscape of Santiago de Chile in the mid-19th century. The artist's meticulous brushstrokes bring to life an aerial view that showcases both the natural beauty and urban development of this Latin American metropolis. From atop the Hill of Santa Lucia, one can marvel at the majestic mountains that surround Santiago de Chile. The picturesque landscape is dotted with figures dressed in traditional attire, giving us a glimpse into the rich cultural heritage of this South American nation. A priest and monks stand on a hilltop, symbolizing religion's significant presence in society during that era. The painting captures not only architectural details but also hints at daily life as tourists explore and admire their surroundings. One cannot help but be drawn to a fire burning brightly amidst bustling streets below – perhaps signifying both warmth and energy within this thriving city. Rugendas' masterful use of color and composition transports viewers back in time, offering them an immersive experience through his lens. This artwork serves as a testament to his ability to capture not just physical landscapes but also emotions evoked by such scenes. As we gaze upon this remarkable piece from our private collection today, we are reminded of how art has preserved history for generations to come.
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