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No. 3: Silent Flower (Mono iwanu hana), from the series "A Comparison of Flowers
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No. 3: Silent Flower (Mono iwanu hana), from the series "A Comparison of Flowers
No. 3: Silent Flower (Mono iwanu hana), from the series " A Comparison of Flowers (Hana awase)", late 1820s
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Fence Geta Patten Pattens Platform Shoes Platforms Sandal Sandals Shigenobu Ii Shigenobu Yanagawa Shikishiban Surimono Shoe Shoes Surimono Yanagawa Shigenobu Yanagawa Shigenobu Ii Colour Woodblock Print
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No. 3: Silent Flower (Mono iwanu hana), from the series 'A Comparison of Flowers' captures the essence of Edo period Japan in this stunning woodblock print by Yanagawa Shigenobu II. The late 1820s artwork, displayed at the Art Institute of Chicago, showcases the intricate beauty and delicate nature of Japanese art. In this piece, a graceful woman dressed in traditional clothing stands amidst a vibrant garden. Her full-length kimono drapes elegantly around her as she gazes silently at a single flower. The artist's attention to detail is evident in every aspect - from the patterns on her dress to the carefully rendered plants surrounding her. The use of color adds depth and richness to this scene, with hues that evoke both tranquility and energy. The woman's footwear, known as geta sandals, are elevated platforms made for walking on uneven surfaces like gravel or grass. This woodblock print not only highlights nature's beauty but also provides insight into Japanese culture during the Tokugawa period. It serves as a reminder of how art can transcend time and place, allowing us to appreciate centuries-old traditions. Yanagawa Shigenobu II masterfully combines skillful printing techniques with an artistic vision that transports viewers to another era. This image invites us to immerse ourselves in its serene atmosphere and contemplate the timeless allure of flowers.
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