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Cazal. Antoinette. 28 ans, nee a Salgouz (Cantal). Couturiere. Anarchiste
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Cazal. Antoinette. 28 ans, nee a Salgouz (Cantal). Couturiere. Anarchiste
Cazal. Antoinette. 28 ans, nee a Salgouz (Cantal). Couturiere. Anarchiste. 28/2/94. 1894
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Media ID 20137408
© Heritage Art/Heritage Images
Alphonse Alphonse Bertillon Anarchism Anarchist Anthropology Anthropometry Arrest Arrested Bertillon Bertillon Alphonse Bertillonage Criminal Identification Mug Shot Mugshot Physical Anthropology Seamstress Albumen Silver Print
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EDITORS COMMENTS
This print captures the essence of Cazal Antoinette, a 28-year-old seamstress born in Salgouz, Cantal. Taken in 1894 by Alphonse Bertillon, this albumen silver print showcases the fascinating intersection between art, anthropology, and politics during the 19th century. Cazal Antoinette's arresting gaze speaks volumes about her anarchist beliefs and rebellious spirit. As an outspoken advocate for political change, she defied societal norms with her profession as a couturiere while actively participating in acts of civil disobedience against oppressive systems. Alphonse Bertillon's meticulous anthropometric techniques are evident in this mugshot-style portrait. By capturing precise measurements of physical features like facial structure and body proportions, he aimed to create a scientific method for criminal identification—a concept known as "bertillonage". This innovative approach revolutionized law enforcement practices at the time. Through this photograph, we catch a glimpse into French history—specifically the turbulent era marked by social unrest and political upheaval. Cazal Antoinette represents countless women who fought tirelessly for their rights amidst adversity. Now housed within The Metropolitan Museum of Art's collection, this image serves as a testament to both artistic expression and historical documentation. It reminds us that even within seemingly mundane occupations like sewing lies immense potential for activism and empowerment. As we contemplate Cazal Antoinette's story frozen in time through Alphonse Bertillon's lens, we
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