The Day, Heath Robinson - the hoisting of the hostage
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The Day, Heath Robinson - the hoisting of the hostage
The Day: The Germans Come - and are " Terror" -ised. Incidents of the Coming German Invasion of England-from the British side, by Heath Robinson. The hoisting of the hostage: a German gun on the heights of Pontypridd. Series of cartoons by William Heath Robinson in The Sketch. Date: 1910
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Media ID 14230010
© Illustrated London News Ltd/Mary Evans
Amusing Cannon Heath Heights Hoisting Hostage Pontypridd Robinson Rocks Silly Uniforms Crevice
EDITORS COMMENTS
The Hoisting of the Hostage: A Humorous Take on the German Threat during the Early 20th Century, as Depicted in Heath Robinson's 'The Day: The Germans Come' Heath Robinson's satirical illustration, titled 'The Hoisting of the Hostage: A German Gun on the Heights of Pontypridd,' was published in The Sketch magazine in 1910. This cartoon, one of a series depicting the perceived threat of a German invasion of England, showcases Robinson's unique brand of humour that both poked fun at and alleviated the fear and tension of the time. In this particular image, we see a group of bumbling German soldiers attempting to hoist a large cannon up a steep and treacherous rocky outcrop. The soldiers, all clad in their distinctive uniforms, struggle to maneuver the cannon, which appears comically oversized for the terrain. At the top of the outcrop, a British soldier, seemingly unfazed, casually holds a hostage – a local townsperson – as leverage against the invading force. The scene is set against the backdrop of the Welsh town of Pontypridd, with its rolling hills and picturesque landscape. The soldiers' efforts to conquer the land are contrasted with the idyllic setting, adding to the overall sense of absurdity and humor. Robinson's illustration serves as a reminder of the complex emotions and reactions to the perceived threat of invasion during this period. Through his whimsical and humorous depictions, he was able to address the fear and tension of the time while also providing a lighthearted escape for his audience. This cartoon is an intriguing glimpse into the historical context of early 20th century Britain and the unique perspective of one of its most beloved and influential illustrators.
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