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The Gol Gumbaz, Bijapur, c1880 (1905). Artist: Alexander Henry Hallam Murray

The Gol Gumbaz, Bijapur, c1880 (1905). Artist: Alexander Henry Hallam Murray


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The Gol Gumbaz, Bijapur, c1880 (1905). Artist: Alexander Henry Hallam Murray

The Gol Gumbaz, Bijapur, c1880 (1905). Gol Gumbaz is the mausoleum of Mohammed Adil Shah, Sultan of Bijapur. The tomb, located in Bijapur, Karnataka in India, was completed in 1656 by the architect Yaqut of Dabul. From The High-Road of Empire, by A. H. Hallam Murray. [John Murray, Ablemarle Street, London, 1905]

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Media ID 14984674

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Ah Hallam Murray Alexander Henry Hallam Alexander Henry Hallam Murray Bijapur Dome Domed Hallam Murray High Road Of Empire John Murray Karnataka Memorial Mohammed Mohammedan Moslem Murray Muslim British Empire Hindoostan Mausoleum


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> Arts > Contemporary art > Landscapes > Nature landscapes

> Arts > Contemporary art > Landscapes > Street art

> Arts > Landscape paintings > Landscape art > Nature-inspired artwork

> Arts > Landscape paintings > Scenic landscapes > Nature art

> Arts > Realistic drawings > Nature art > Landscape paintings

> Arts > Watercolor paintings > Nature-inspired watercolors > Watercolor landscapes

> Arts > Watercolor paintings > Watercolor landscapes > Landscape art

> Arts > Watercolor paintings > Watercolor landscapes > Nature paintings

> Arts > Watercolor paintings

> Asia > India > Related Images


EDITORS COMMENTS
This print showcases the magnificent Gol Gumbaz, a mausoleum that stands as a testament to the rich history and architectural brilliance of Bijapur, India. Completed in 1656 by the talented architect Yaqut of Dabul, this grand structure was built to honor Mohammed Adil Shah, Sultan of Bijapur. The image captures the serene beauty of Gol Gumbaz against a backdrop of lush greenery and towering trees. The dome-shaped tomb dominates the landscape with its impressive size and intricate design. Its significance as a religious site is evident through its association with Islam and its role as a memorial for Mohammed Adil Shah. The photograph's vibrant colors bring life to every detail, highlighting both the natural surroundings and man-made elements. The print perfectly encapsulates the essence of 17th-century architecture in Karnataka while also reflecting British influence during that era. As we gaze upon this remarkable piece from A. H. Hallam Murray's publication "The High-Road of Empire" we are transported back in time to witness an important chapter in Indian history. It serves as a reminder not only of our shared cultural heritage but also of the enduring legacy left behind by great rulers like Mohammed Adil Shah. This print is more than just an artistic representation; it is an invitation to explore and appreciate the wonders that lie within Bijapur's boundaries – where nature intertwines seamlessly with human ingenuity.

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