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Adam and Eve Expelled from Paradise from Paradise Lost
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Adam and Eve Expelled from Paradise from Paradise Lost
5615857 Adam and Eve Expelled from Paradise from Paradise Lost by John Milton (1608-1674) a series of 12 illustrations etched by William Strang (1859-1921) by Strang, William (1859-1921); Private Collection; (add.info.: William Strang (1859-1921) was a Scottish artist who illustrated many books during the 1890s.); Photo eAF Fotografie; Scottish, out of copyright
Media ID 23269476
© AF Fotografie / Bridgeman Images
1600s 1667 1896 Adam And Eve Archangel Epic Escorted Etched Etching Expelled Expulsion Fall Of Man Garden Of Eden Genesis John John C Nimmo John Milton Limited Edition Michael Milton Paradise Paradise Lost Portfolio Rare Series Strang Vanquished William Strang Book Xi
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EDITORS COMMENTS
This print captures the iconic moment of Adam and Eve's expulsion from Paradise, as depicted in John Milton's renowned epic poem "Paradise Lost". Illustrated by the talented Scottish artist William Strang, this series of 12 etchings beautifully brings to life the biblical story of Genesis. In this particular illustration, we see Adam and Eve standing at the entrance of the Garden of Eden, surrounded by lush greenery. An angelic figure hovers above them with a solemn expression on his face, holding a flaming sword that symbolizes their banishment. The sorrowful expressions on Adam and Eve's faces reflect their deep regret for succumbing to temptation and disobeying God's command. Strang's meticulous attention to detail is evident in every stroke of his etching technique. The composition exudes a sense of melancholy and loss, capturing both the beauty they are leaving behind and the uncertainty that lies ahead. The limited edition nature of this print adds to its rarity and collectability. It serves as a powerful reminder not only of Milton's poetic genius but also of humanity's eternal struggle between good and evil. This print is an exquisite piece that transports viewers back to the 17th century when Milton first penned his masterpiece. It stands as a testament to both artistic skill and profound religious symbolism—a timeless representation of mankind’s fall from grace.
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