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RIGAUD, Jacint Rigaud i Ros, called Hyacinthe (1659-1743)

RIGAUD, Jacint Rigaud i Ros, called Hyacinthe (1659-1743)


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RIGAUD, Jacint Rigaud i Ros, called Hyacinthe (1659-1743)

RIGAUD, Jacint Rigaud i Ros, called Hyacinthe (1659-1743). Portrait of Charles de Saint-Albin, Archbishop of Cambrai. Baroque art. Painting. BELGIUM. WALLONIA. HAINAUT. Tournai. Fine Arts Museum

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Media ID 14184464

© J. Bedmar/Iberfoto/Mary Evans

1659 1743 Albin Archbishop Arts Attire Baroque Called Cambrai Churches Frenchman Frenchmen Frenchwoman Frenchwomen Hainaut Hyacinthe Jacint Paintings Pictures Rigaud Times Tournai Upright Wallonia Masculine Persons


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> Arts > Art Movements > Baroque

> Arts > Contemporary art > Modern art > Portraits

> Arts > Contemporary art > Portraits > Modern art

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> Arts > Modern art pieces

> Arts > Portraits

> Arts > Street art graffiti > Portraits > Fine art

> Arts > Street art graffiti > Portraits > Modern art

> Europe > Belgium > Paintings

> Europe > France > Paintings


EDITORS COMMENTS
This stunning Baroque painting depicts Charles de Saint-Albin, the Archbishop of Cambrai, masterfully rendered by the skilled hand of Jacint Rigaud i Ros, also known as Hyacinthe. The portrait, executed in the late 17th century, showcases the Archbishop in grand attire, symbolizing his high ecclesiastical rank and authority. The rich colors and intricate details of the painting, on display at the Fine Arts Museum in Tournai, Wallonia, Belgium, transport us back to the early modern era. Hyacinthe Rigaud, a French painter, expertly captures the essence of the Archbishop's character and dignity through his skillful use of color and brushstrokes. Saint-Albin's piercing gaze and solemn expression convey a sense of wisdom and piety, further emphasizing his religious and spiritual role. The painting's vertical composition adds to the sense of grandeur and importance, making it a captivating work of art from the Western historical and artistic tradition. The Archbishop's elegant attire, complete with a mitre and robe adorned with crosses and other ecclesiastical symbols, further highlights his position within the Church hierarchy. The painting's intricate details, such as the delicate folds of his robes and the finely rendered textures of his fur-trimmed mantle, demonstrate Rigaud's exceptional artistic abilities. This portrait serves as a testament to the artistic and historical significance of the Baroque period and the role of the Church in European society during that time. The Fine Arts Museum in Tournai, Belgium, is proud to preserve and showcase this magnificent work for future generations to appreciate and study.

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