Quinquanpolix
Wall Art and Photo Gifts from Mary Evans Picture Library
Quinquanpolix
Quinquanpolix. This engraving is a Dutch satire on John Law of Lauriston, promoter of the Mississippi Company and other bubble schemes of the year 1720; it is No. 21 in vol. i. of Het Groote Tafereel der Dwsheid, a collection of Dutch satires on the Mississippi, South Sea, and other companies... (Source: Stephens). Date undated. Quinquanpolix. This engraving is a Dutch satire on John Law of Lauriston, promoter of the Mississippi Company and other bubble schemes of the year 1720; it is No. 21 in vol. i. of Het Groote Tafereel der Dwsheid, a collection of Dutch satires on the Mississippi, South Sea, and other companies... (Source: Stephens). Date undated
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Media ID 7294679
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EDITORS COMMENTS
Quinquanpolix" is a captivating Dutch engraving that serves as a scathing satire on the infamous Scottish financier, John Law of Lauriston. This image, number 21 in volume i. of Het Groote Tafereel der Dwsheid, a renowned collection of Dutch satires, offers a biting commentary on Law's involvement with the Mississippi Company and other bubble schemes that dominated the year 1720. John Law, a charismatic and ambitious figure, rose to prominence in financial circles with his audacious plans to revitalize the French economy. However, his schemes, including the establishment of the Mississippi Company, were built on speculation and false promises. The company's shares were artificially inflated, leading to an unsustainable bubble that eventually burst, causing widespread financial ruin. The "Quinquanpolix" engraving masterfully captures the essence of Law's deceit and greed. In the image, Law is depicted as a grotesque, multi-headed creature, symbolizing his many identities and the numerous schemes he orchestrated. The heads represent various personas, including a card player, a priest, a soldier, a merchant, and a monarch. Each head is engaged in an activity that reflects the corresponding role Law played in the schemes that brought about the financial crisis. The satire's title, "Quinquanpolix," is a playful reference to Law's many guises. The term "quinquan" means five, and "polix" means political, suggesting Law's manipulation of power and politics to further his financial ambitions. The engraving serves as a stark reminder of the dangers of speculation, greed, and the misuse of power in financial affairs. The exact date of this engraving is undated, but its inclusion in Het Groote Tafereel der Dwsheid, which was first published in 1720, provides a rough estimate of its origin. This work of art not only offers a fascinating glimpse into the financial scandals of the past but also serves as a cautionary tale for future generations.
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