The martyr
Wall Art and Photo Gifts from Mary Evans Picture Library
The martyr
The martyr. Illustration shows Theodore Roosevelt, with halo, bound by tape labeled Popularity Party Pressure, kneeling on a burning pyre and tied to a stake labeled III Term; there is a crowd of on-lookers in the background. Date 1906 November 21. The martyr. Illustration shows Theodore Roosevelt, with halo, bound by tape labeled Popularity Party Pressure, kneeling on a burning pyre and tied to a stake labeled III Term; there is a crowd of on-lookers in the background. Date 1906 November 21
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Media ID 7369530
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10606816
EDITORS COMMENTS
This powerful and evocative illustration, titled "The Martyr," was published in Puck magazine on November 21, 1906. The image depicts a somber Theodore Roosevelt, clad in a halo, kneeling on a burning pyre and tied to a stake labeled "III Term." The ominous date of the illustration references the ongoing debate surrounding Roosevelt's potential bid for a third term as President of the United States, which was a contentious issue at the time. The crowd of on-lookers in the background, with their varied expressions, reflects the divided public opinion on the matter. Some appear sympathetic, while others seem indifferent or even hostile. The use of the halo and the martyr theme underscores the complexities of Roosevelt's political legacy and the weight of public expectation. This illustration, a testament to the political climate of the early 20th century, was created by an unknown artist for Puck magazine. The publication was a prominent and influential political satire magazine of the time, known for its biting commentary and insightful social commentary. The image, with its striking visual symbolism, effectively encapsulates the tension and intrigue surrounding Roosevelt's third term ambitions and the role of public opinion in shaping political decisions. The illustration, now a historical artifact, offers a fascinating glimpse into the political discourse of the past and the enduring power of visual storytelling in shaping public opinion.
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