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Resurrection Christ Passion series title floating
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Resurrection Christ Passion series title floating
Resurrection of Christ The Passion (series title), Christ is floating at the entrance of his grave with a victory banner in his hand. The three Marys are standing at the entrance of the grave and see an angel sitting on the pushed away stone. A few soldiers are frightened and a few are sleeping on the floor, Christ, usually holding a banner, arises from the grave, often combined with sleeping and / or frightened soldiers, Christ floating above or near the tomb, angel (s) addressing the holy women, Resurrection of Christ, anonymous, Netherlands (possibly), 1596 - 1667, paper, engraving, h 200 mm × w 133 mm
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19538114
© Artokoloro
1596 1667 Addressing Angel Arises Banner Combined Entrance Floating Floor Frightened Frightened Soldiers Grave Hand Holy Women Passion Resurrection Series Title Sleeping Soldiers Three Marys Tomb Usually Holding
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This print from the Resurrection Christ Passion series titled "Floating" transports us to a moment of profound spiritual significance. At the entrance of his grave, Christ is depicted suspended in mid-air, holding a triumphant victory banner in his hand. The three Marys stand awestruck at the sight before them, witnessing an angel perched on the stone that has been pushed away. The scene is filled with contrasting emotions as some soldiers cower in fear while others find solace in sleep on the cold floor. This juxtaposition symbolizes both disbelief and acceptance of this miraculous event. As Christ emerges from the tomb, he defies gravity and hovers above or near it, emphasizing his divine power over death itself. The angel's presence adds an ethereal touch to this engraving on paper, addressing the holy women who have come to mourn their beloved teacher and savior. The artist skillfully captures this pivotal moment between life and resurrection with intricate details and masterful technique. Created by an anonymous artist possibly from the Netherlands during 1596-1667, this artwork exemplifies religious devotion through its portrayal of faith being rewarded with eternal life. It invites contemplation and reflection upon one's own beliefs while serving as a reminder of hope amidst despair.
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