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Five numbered scenes painter Accademia Degl Incamminati

Five numbered scenes painter Accademia Degl Incamminati


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Liszt Collection

Wall Art and Photo Gifts from Liszt Collection

Five numbered scenes painter Accademia Degl Incamminati

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Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 14032871

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1557 1602 1557–1602 1575 1642 1603 After Francesco Agostino Agostino Carracci Alessandro Athena Bologna Bologna Ca Carracci Death Description Fatto Francesco Brizio Frontispiece Giacomo Grave Guido Reni Illustrate Lyre Painted Painter Parma Published Reni Seven Plates Stars Torch Vittorio Benacci Disegno Memorial Service Patria Prometheus


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> Animals > Mammals > Macropodidae > Parma

> Animals > Mammals > Muridae > Sua

> Arts > Artists > C > Agostino Carracci

> Arts > Artists > R > Guido Reni


EDITORS COMMENTS
This print from the Liszt Collection showcases five numbered scenes painted by the esteemed Accademia Degl Incamminati. Titled "Il Funerale d'Agostino Carraccio Fatto in Bologna Sua Patria dagli Incaminati Academici del Disegno" this piece of art combines painting and poetry to depict a somber mourning for death. The central focus is Agostino Carracci, whose grave is beautifully designed with intricate details. The composition features various elements that add depth and symbolism to the artwork. Francesco Brizio's lyre symbolizes music, while Apollo pointing towards the stars represents inspiration and creativity. Giacomo Cavedone's depiction of Christ, Prometheus holding a torch, and Athena allude to different mythological figures associated with wisdom and enlightenment. Alessandro Albini's portrayal of Aurora abducting Cephalus adds an ethereal touch to the overall narrative. Lastly, Leonello Spada's etching captures a moment in time during 1603 when temporary decorations were used for a memorial service honoring Carracci. Guido Reni, an Italian painter born in Bologna in 1575, created this print after Francesco Brizio’s original work from around 1574-1623. Other notable artists involved include Giacomo Cavedone from Sassuolo (1577–1660), Agostino Carracci from Parma (1557–1602), Alessandro Albini (1568-1646), and Leonello Spada (1576-1622). With its rich historical context and exquisite craftsmanship, this print serves as a testament to the talent and collaboration within Accademia Degl Incamminati during that era.

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