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Fontainebleau Forest Noon under Trees La foret de Fontainebleau
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Fontainebleau Forest Noon under Trees La foret de Fontainebleau
Fontainebleau Forest: Noon under the Trees (La Foret de Fontainebleau: Midi sous bois), 1890. Auguste Louis Lepere (French, 1849-1918), A. Desmoulins, Published in Revue Illustree, 1887-90. Wood engraving from bound volume of 34; image: 11.1 x 16.4 cm (4 3/8 x 6 7/16 in.)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18466560
© Liszt Collection
1849 1918 1887 90 1890 Auguste Louis Lepère Bound Volume Desmoulins Fontainebleau Forest La Fore T De Fontainebleau La Forêt De Fontainebleau Published Revue Illustre Revue Illustree Trees Wood Engraving
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This print titled "Fontainebleau Forest: Noon under the Trees" takes us on a journey through the enchanting woods of Fontainebleau. Created in 1890 by Auguste Louis Lepere, a renowned French artist, this wood engraving captures the essence of a tranquil midday scene. As we gaze upon the image, our eyes are drawn to the towering trees that gracefully frame the composition. Their branches intertwine above, creating a natural canopy that filters sunlight onto the forest floor below. The play of light and shadow adds depth and texture to this picturesque setting. Lepere's attention to detail is evident in every stroke of his engraving tool. Each leaf seems to come alive as it dances in harmony with gentle breezes passing through. The artist skillfully portrays nature's beauty while maintaining an air of serenity throughout. Published in Revue Illustree between 1887-90, this artwork was part of a bound volume containing 34 exquisite engravings. Its inclusion within such esteemed company speaks volumes about its artistic merit. "Fontainebleau Forest: Noon under the Trees" transports us into a world where time stands still and nature reigns supreme. It serves as a reminder of humanity's connection with the natural world and invites us to immerse ourselves in its tranquility whenever we need respite from our busy lives.
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