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Witches, 1514, (1943). Creator: Hans Baldung

Witches, 1514, (1943). Creator: Hans Baldung


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Witches, 1514, (1943). Creator: Hans Baldung

Witches, 1514, (1943). There was strong interest in witchcraft in the German-speaking countries at the beginning of the sixteenth century. The " Malleus Maleficarum" (Hammer of Witches) was published in 1487. Drawing in the Albertina Museum, Vienna. From " Europaische Handzeichnungen", (Five Hundred Years of European Drawings), by Bernhard Degenhart. [Atlantis-Verlag Berlin, Zurich, 1943]

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Media ID 19066288

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Baldung Baldung Grien Bernhard Bernhard Degenhart Brush Candle Candles Degenhart Europaische Handzeichnungen Grien Grun Hans Hans Baldung Hans Baldung Grien Hans Baldung Grun Magic Skull Spell Spells Witch Witchcraft Witches


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EDITORS COMMENTS
This photo print, titled "Witches, 1514" by Hans Baldung, transports us back to the early sixteenth century in German-speaking countries. During this time, there was a profound fascination with witchcraft and its dark allure. The image is a drawing from the Albertina Museum in Vienna and is featured in Bernhard Degenhart's book "Europaische Handzeichnungen", published in 1943. The artwork depicts a scene filled with mystery and intrigue. A group of women, their bodies naked and vulnerable, gather around a table adorned with candles. In the background looms a skull, symbolizing death and perhaps hinting at the consequences that await those who dabble in magic. The brush strokes are masterfully executed by Baldung, capturing every detail of these bewitching figures. During the forties when this print was created, it serves as both an artistic representation of history as well as an exploration into human fascination with the supernatural. It reminds us of the enduring power that myths and legends hold over our imaginations. As we gaze upon this mesmerizing piece of artistry from centuries past, we are reminded of how deeply ingrained witchcraft was within society during that era. It invites contemplation on themes such as female empowerment or persecution through accusations of sorcery. This print serves as a window into another time - one where witches were feared yet simultaneously revered for their mysterious powers. It captures both the beauty and danger associated with witchcraft while leaving room for interpretation about its significance throughout history.

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