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Site of the Marshalsea Prison from the Churchyard of St. Georges, Southwark, c1935
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Site of the Marshalsea Prison from the Churchyard of St. Georges, Southwark, c1935
Site of the Marshalsea Prison from the Churchyard of St. George s, Southwark, c1935. Marshalsea Prison on Borough High Street, Southwark, south London, was particularly known as a debtors prison, and was made famous in the writings of Charles Dickens, whose father was sent there in 1824, when Dickens was 12. From " Wonderful London, Volume 3", edited by Arthur St John Adcock. [The Fleetway House, London, c1935]
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Media ID 18323356
© The Print Collector/Heritage Images
Adcock Arthur St John Arthur St John Adcock Borough High Street Churchyard John Adcock Penitentiary Prison Southwark Taylor Wonderful London Marshalsea Prison
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This print captures the haunting site of the Marshalsea Prison from the peaceful churchyard of St. George's in Southwark, London, circa 1935. Known primarily as a debtors prison, Marshalsea gained notoriety through Charles Dickens' writings, as his father was incarcerated there when Dickens was just a boy. The image is sourced from "Wonderful London, Volume 3" edited by Arthur St John Adcock. The photograph showcases the architectural grandeur of this historic penitentiary on Borough High Street. Its imposing presence against the backdrop of a serene garden and towering trees creates an eerie juxtaposition between freedom and confinement. The monochrome composition adds to its somber atmosphere, emphasizing the gravity of its past. As one gazes upon this snapshot frozen in time, it evokes contemplation about crime and punishment during that era. It serves as a reminder of how religion played a significant role in society then; with a church adjacent to such an institution symbolizing hope amidst despair. This image transports us back to 1930s Britain, offering insight into both historical architecture and societal norms surrounding law enforcement at that time. It invites viewers to reflect on the struggles faced by those imprisoned within these walls while also appreciating their eventual liberation. Overall, this print encapsulates not only tangible history but also intangible emotions associated with imprisonment and redemption—a testament to both human resilience and our collective journey towards justice.
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