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Shiva as Lord of the Dance (Nataraja), Chola period, about 10th / 11th century
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Shiva as Lord of the Dance (Nataraja), Chola period, about 10th / 11th century
Shiva as Lord of the Dance (Nataraja), Chola period, about 10th/11th century. A bronze sculpture of the Hindu divinity Shiva. Shiva, who has two pairs of arms, is depicted dancing inside of a circular ring. Balancing on one leg, Shiva gestures his arms to the side and front, as his loose locks of hair flow behind him
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Media ID 24171001
© Heritage Art/Heritage Images
10th Century 11th Century Balance Chola Dynasty Eleventh Century Hindu Hinduism Limb Many Arms Many Limbed Shiva Siva Standing On One Leg Tamil Nadu Tenth Century Chola Hindoostan Nataraja Posture
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This print showcases a remarkable bronze sculpture from the Chola period, dating back to the 10th or 11th century. The image depicts Shiva as Lord of the Dance (Nataraja), one of the most iconic representations of this Hindu deity. With two pairs of arms gracefully extended, Shiva is captured in mid-dance inside a circular ring. Standing on one leg, his body exudes an aura of balance and poise while his loose locks of hair flow behind him. The intricate details and craftsmanship evident in this artwork highlight the rich artistic heritage of ancient India. The Chola dynasty's mastery in metalwork is beautifully demonstrated through this divine sculpture, which emanates both power and grace. Shiva's multiple limbs symbolize his omnipresence and ability to perform various tasks simultaneously. As Nataraja, he represents creation, preservation, destruction, and liberation – all encompassed within the eternal cycle of life. Located at an art institute in Chicago, this photograph invites viewers to appreciate not only the aesthetic beauty but also delve into deeper spiritual meanings associated with Hinduism. It serves as a testament to how art can transcend time and geographical boundaries by preserving cultural heritage for generations to come. Through this image capture by an unknown artist or photographer, we are reminded that religious sculptures like these continue to inspire awe and reverence even after centuries have passed since their creation.
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