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The Robbers and the Donkey, c. 1860s, (1946). Artist: Honore Daumier
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The Robbers and the Donkey, c. 1860s, (1946). Artist: Honore Daumier
The Robbers and the Donkey, c.1860s, (1946). Lithograph after Daumiers painting The Thieves And The Donkey, 1858-1860. From The Etchings of the French Impressionists and Their Contemporaries, by Edward T. Chase. [The Hyperion Press, Paris, 1946]
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Media ID 14998306
© The Print Collector
Chase Criminal Daumier Donkey Edward T Edward T Chase Fight Honore Honore Daumier Honore Victorin Honore Victorin Daumier Prig Robber Robbery Thief Impressionist
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EDITORS COMMENTS
In this black and white lithograph titled "The Robbers and the Donkey" created by Honore Daumier in the 1860s, we are transported to a scene of chaos and conflict. The artist's mastery is evident as he skillfully captures the essence of a crime-ridden countryside in 19th century France. Daumier's work delves into the realm of lawlessness, depicting a group of robbers engaged in a fierce fight over their ill-gotten gains. The central figure, an innocent donkey caught amidst the turmoil, becomes both witness and unwitting participant in this dramatic tableau. The monochrome palette adds depth to the composition, emphasizing the intensity of emotions running high. Daumier's impressionistic style lends an air of urgency to each brushstroke, conveying not only the physical struggle but also hinting at deeper societal tensions prevalent during that era. This print serves as a powerful reminder of human nature's darker side while simultaneously showcasing Daumier's ability to capture complex narratives within his artwork. As we gaze upon this piece from our vantage point in the 1940s, it serves as a testament to timeless themes that continue to resonate with viewers across different centuries. "The Robbers and the Donkey" stands as an enduring testament to Daumier's artistic genius and his ability to provoke thought through visual storytelling. It remains an invaluable addition to any collection seeking profound insights into French Impressionism and its contemporaries.
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