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Ricking the Reed, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall

Ricking the Reed, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall


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Ricking the Reed, 1886. Creators: Dr Peter Henry Emerson, Thomas Frederick Goodall

Ricking the Reed, 1886

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Media ID 20766319

© Heritage Art/Heritage Images

Dr Peter Henry Emerson Emerson Dr Peter Henry Emerson Peter Henry Fens Goodall Thomas F Goodall Thomas Frederick Harvest Harvesting Marsh Marshes Marshland Peter Henry Emerson Platinum Print Reed Reeds Thomas F Goodall Thomas Frederick Goodall Estuary


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> Arts > Artists > D > Thomas Day

> Arts > Artists > G > Frederick Goodall

> Arts > Artists > H > Thomas Henry

> Arts > Contemporary art > Landscapes > Portraits

> Arts > Contemporary art > Photography > Landscape photography

> Arts > Contemporary art > Photography > Portraits

> Arts > Contemporary art > Portraits > Landscape paintings

> Arts > Contemporary art > Portraits > Portrait photography

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Arts > Landscape paintings > Rural countryside paintings > Landscape paintings


Ricking the Reed, 1886 - A Glimpse into Rural Life in 19th Century Britain

EDITORS COMMENTS
. This photograph, titled "Ricking the Reed, 1886" takes us back to a bygone era of agricultural heritage. Created by Dr Peter Henry Emerson and Thomas Frederick Goodall, this image captures the essence of rural life in Britain during the late 19th century. Set against a picturesque estuary backdrop, we see men laboring amidst marshes and fenlands. The reeds they are harvesting symbolize their connection to nature and their reliance on its resources for survival. With great attention to detail, Emerson and Goodall portray these hardworking individuals engaged in the timeless task of ricking – skillfully stacking harvested reeds into neat bundles. The platinum print technique used adds depth and texture to this stunning portrait. It brings out every intricate detail of both the landscape and the human figures present. Through this artistic medium, we can almost feel ourselves transported back in time as we witness these men's dedication to their craft. As we admire this piece at an art gallery or center such as the National Gallery of Art Washington (not mentioning commercial use), it serves as a testament to regionalism within British art history. It reminds us that even though our world has changed dramatically since then, there is still beauty to be found in rustic scenes like these – reminders of our shared agricultural past. "Ricking the Reed" invites us to reflect on our relationship

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