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The Release of the Seven Bishops, 1688 (1878). Artist: Herbert Bourne

The Release of the Seven Bishops, 1688 (1878). Artist: Herbert Bourne


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The Release of the Seven Bishops, 1688 (1878). Artist: Herbert Bourne

The Release of the Seven Bishops, 1688 (1878). The Seven Bishops of the Church of England were imprisoned and tried for seditious libel related to their opposition to the second Declaration of Indulgence, issued by James II in 1688. In a major embarrassment to the Crown, they were found not guilty. After Edward Matthew Ward (1816?1879). From Pictures and Royal Portraits Illustrative of English and Scottish History, by Thomas Archer. [Blackie & Son, London, Glasgow & Edinburgh, 1878]

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Media ID 14974116

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Archer Arrival Arriving Bishop Blackie Blackie And Son Blackie Son Blackie Son Ltd Bourne Church Of England Clergy Duke Of York Edward Matthew Edward Matthew Ward Herbert Herbert Bourne Herbert K Bourne Imprisoned James Ii James Ii And Vii James Stuart King James Ii King Of England And Ireland Matthew Ward Pictures And Royal Portraits Rambling Release Sepia Stuart Thomas Archer Ward Declaration Of Indulgence Seven Bishops


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> Arts > Artists > A > James Archer

> Arts > Artists > B > James Bourne

> Arts > Artists > D > Edward Dayes

> Arts > Artists > D > Thomas Day

> Arts > Artists > W > Edward Matthew Ward

> Arts > Artists > W > James Ward

> Arts > Contemporary art > Portraits > Street art

> Arts > Street art graffiti > Portraits > Street art

> Europe > United Kingdom > England > London > Royalty

> Europe > United Kingdom > England > York


EDITORS COMMENTS
The Release of the Seven Bishops, 1688 (1878) captures a pivotal moment in English history. This powerful print by Herbert Bourne depicts the seven bishops of the Church of England who were unjustly imprisoned and tried for seditious libel. Their crime? Speaking out against James II's second Declaration of Indulgence. In this image, we see a diverse group of individuals walking along a religious street, their faces filled with determination and faith. Men, women, boys, and girls all join together in solidarity as they make their way towards freedom. The atmosphere is tense yet hopeful as they navigate through the bustling British lane. The scene beautifully reflects both the historical significance and religious fervor surrounding this event. Kneeling figures symbolize devotion to Christianity while others represent different walks of life coming together for a common cause. Sepia tones add depth and authenticity to this 17th-century setting. This remarkable engraving was originally published by Thomas Archer in his book Pictures and Royal Portraits Illustrative of English and Scottish History. It serves as a testament to the resilience and triumph over oppression during one of Britain's most turbulent periods. Herbert Bourne's meticulous attention to detail brings this significant moment back to life, reminding us that even in dark times, justice can prevail.

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