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Sir Isumbras at the Ford, 1857, (c1915). Artist: John Everett Millais
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Sir Isumbras at the Ford, 1857, (c1915). Artist: John Everett Millais
Sir Isumbras at the Ford, 1857, (c1915). The painting is held by the Lady Lever Art Gallery, Port Sunlight. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]
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Media ID 14982075
© The Print Collector
Alfred Alfred Yockney Artistic Style Bridle Ford International Art Past And Present John Everett John Everett Millais John Everett Millais Ra Journey Knight Lady Lever Art Gallery Millais Perthshire Pre Raphaelite Brotherhood Sir John Everett Millais Virtue And Company Virtue Co Ltd Virtue Company Yockney Gold Colour
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EDITORS COMMENTS
This print showcases the iconic painting "Sir Isumbras at the Ford" by John Everett Millais. Created in 1857 and later reproduced around 1915, this masterpiece is now housed in the Lady Lever Art Gallery in Port Sunlight. The image, featured in Alfred Yockney's book "International Art: Past and Present" beautifully captures the essence of this renowned artwork. The scene depicted portrays a medieval knight named Sir Isumbras on horseback as he crosses a river ford. The composition exudes an air of adventure and mystery, with its stunning portrayal of nature's beauty. A side view perspective allows us to appreciate every detail, from the majestic horses to the serene river flowing beside them. In this enchanting tableau, we see three people accompanying Sir Isumbras - a man, a woman, and a young boy - all dressed in attire reminiscent of the Middle Ages. The golden hues that dominate their clothing add an element of regality to their presence. Millais' artistic style shines through his meticulous brushwork and attention to detail. His ability to capture both human emotion and natural landscapes is evident here as well. As we gaze upon this remarkable print, we are transported back in time to witness Sir Isumbras' journey firsthand. It serves as a testament not only to Millais' talent but also to the enduring power of art itself.
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