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Portrait Vessel of a Blind Figure with Distorted Mouth, 100 B. C. / A. D. 500

Portrait Vessel of a Blind Figure with Distorted Mouth, 100 B. C.  /  A. D. 500


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Portrait Vessel of a Blind Figure with Distorted Mouth, 100 B. C. / A. D. 500

Portrait Vessel of a Blind Figure with Distorted Mouth, 100 B.C./A.D. 500

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Media ID 24043044

© Heritage Art/Heritage Images

1st Century Ad 1st Century Bc 2nd Century 3rd Century 4th Century Anger Angry Blind Ceramic And Pigment Disfigured Early Intermediate Fury Moche Mochica Peru Peruvian Pre Colombian Pre Columbian Precolombian Precolumbian Rage Snarling South American Spout Spouted Vessel Visually Impaired 1st Century Arts Of The Americas Earthenware Posture


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EDITORS COMMENTS
This print showcases the "Portrait Vessel of a Blind Figure with Distorted Mouth" dating back to 100 B. C. /A. D. 500. The artwork, originating from South America's Moche civilization, is an exquisite example of early intermediate ceramics and pigment. The vessel depicts a male figure in a kneeling posture, his face contorted with anger and fury. Despite being visually impaired, his expression evokes intense emotions that resonate with viewers even today. The artist skillfully captures the man's rage through the distorted mouth and snarling features. The earthy brown color of the ceramic adds depth to this ancient masterpiece while highlighting its connection to Peru's rich heritage art. As one gazes upon this piece, it becomes evident that every detail has been meticulously crafted by unknown hands centuries ago. Displayed at the Art Institute of Chicago's Arts of the Americas gallery, this portrait vessel stands as a testament to pre-Columbian artistic brilliance. Its unique shape and spouted design serve as both decorative arts and functional homeware. As we contemplate this enigmatic artwork, we are transported back in time to an era when South American civilizations flourished creatively and culturally. This portrait vessel not only preserves their history but also invites us to ponder on concepts such as identity, emotion, and human expression across continents and throughout centuries.

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