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Pilgrims and Pilgrims, 1873. Artist: Joseph Swain

Pilgrims and Pilgrims, 1873. Artist: Joseph Swain


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Pilgrims and Pilgrims, 1873. Artist: Joseph Swain

Pilgrims and Pilgrims, 1873. A nattily dressed modern pilgrim casually lights a cigar as he talks about the perils of pilgrimage with the Ancient Pilgrim, dressed in the clothes of the past. He is carrying a staff, and the shell icon of a previous pilgrimage is in his hat. Here, Punch points up the devaluation of the religious tradition of pilgrimage which ought surely to carry with it a certain amount of renunciation and discomfort. From Punch, or the London Charivari, September 6, 1873

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Media ID 14831666

© The Print Collector / Heritage-Images

Aged Aquatic Life Check Checked Chequered Heritage Image Partnership John Tenniel Joseph Swain Pilgrim Pilgrimage Seashell Shell Sir John Tenniel Staff Swain Tenniel


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EDITORS COMMENTS
In this 19th-century print titled "Pilgrims and Pilgrims" artist Joseph Swain skillfully portrays the clash between old traditions and modernity. The scene depicts a nattily dressed contemporary pilgrim engaging in conversation with an Ancient Pilgrim, who is adorned in traditional garb from the past. As the modern pilgrim casually lights his cigar, he discusses the challenges of pilgrimage with his aged counterpart. The contrast between their appearances speaks volumes about the evolving nature of religious practices. While the Ancient Pilgrim carries a staff symbolizing his journey and wears a hat embellished with a shell icon from a previous pilgrimage, the new-age pilgrim dons a stylish suit that represents comfort and convenience. Through this satirical portrayal, Punch magazine highlights how religious traditions have become diluted over time, losing some of their original essence of renunciation and discomfort. This black-and-white engraving by Joseph Swain was published in Punch, or the London Charivari on September 6,1873. It serves as both social commentary and artistic expression during an era marked by shifting values and changing attitudes towards religion. The monochrome aesthetic adds to its timeless appeal while capturing the spirit of satire prevalent in 19th-century art. As we gaze upon this thought-provoking image today, it reminds us to reflect on our own relationship with tradition and spirituality amidst an ever-changing world.

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