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The Penna D Oca Restaurant, The cocktail Bar, c1928. Artists: Emilio Lancia, Michele Marelli, Gio Ponti, Unknown
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The Penna D Oca Restaurant, The cocktail Bar, c1928. Artists: Emilio Lancia, Michele Marelli, Gio Ponti, Unknown
The Penna D Oca Restaurant, The cocktail Bar, c1928. A Photograph of the Penna D Oca Restaurants Cocktail Bar in Milan, designed by Tomaso Buzzi, Emilio Lancia, Michele Marelli and Gio Ponti. From The Studio Volume 96. [London Offices of the Studio, London, 1928]
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Media ID 14966516
© The Print Collector
Ceiling Emilio Lancia Lombardy Michele Milan Restaurant Studio Publications Studio Volume 96 Vaulted Ceiling Cocktail Bar Ponti Tomaso
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EDITORS COMMENTS
The Penna D Oca Restaurant, The Cocktail Bar, c1928: A Captivating Blend of Italian Elegance and Architectural Brilliance. This mesmerizing photograph captures the essence of the renowned Penna D Oca Restaurants Cocktail Bar in Milan during the vibrant 1920s. Designed by a team of visionary artists including Tomaso Buzzi, Emilio Lancia, Michele Marelli, and Gio Ponti, this architectural masterpiece stands as a testament to their creative genius. The vaulted ceiling adorned with intricate details creates an enchanting atmosphere that transports patrons to a bygone era. Every corner exudes sophistication and charm; from the meticulously crafted bar counter to the carefully chosen monochrome palette that adds depth to every element within. As daylight streams through large windows illuminating the space, guests are invited to indulge in Italy's finest drinks while basking in its rich history. The fusion of interior design and impeccable craftsmanship seamlessly blend together to create an ambiance that is both inviting and awe-inspiring. This print not only showcases Italy's architectural prowess but also serves as a window into a time when elegance reigned supreme. It is a visual journey back to an era where cocktail bars were more than just places for libations; they were cultural landmarks that celebrated artistry at every turn. With each glance at this remarkable piece captured by The Studio Volume 96 publication, one can't help but be transported into an age where beauty was found not only in sips but also
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