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Partridges (recto); L. D. Campbells Tomb (verso), c. 1861. Creator: Captain N. Baily
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Partridges (recto); L. D. Campbells Tomb (verso), c. 1861. Creator: Captain N. Baily
Partridges (recto); L.D. Campbells Tomb (verso), c. 1861. N. Baily carefully arranged a simple composition of two partridges hanging by a thin rope against a plain wood wall. Like many photographers in the 1850s and 60s, he was interested in displaying the cameras ability to record in detail the variety of shapes and textures present in the still life. Little is known of Baily, a British amateur photographer. He was a member of the Amateur Photographic Association and participated in several of their album exchanges. Still lifes incorporating game, fowl, and fish were popular among amateur photographers during this period. Many members of the Amateur Photographic Association were gentlemen that formerly belonged to the British armed forces and would have participated in hunting as a pastime
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EDITORS COMMENTS
This print by Captain N. Baily, titled "Partridges (recto); L. D. Campbell's Tomb (verso), c. 1861" showcases the meticulous arrangement of two partridges hanging delicately from a thin rope against a plain wooden wall. In this composition, Baily aimed to highlight the camera's ability to capture intricate details and textures found in still life subjects. Although little is known about Baily himself, he was an esteemed member of the Amateur Photographic Association and actively participated in their album exchanges during the mid-19th century. It is believed that many amateur photographers of that era were gentlemen who had previously served in the British armed forces and shared a passion for hunting as a recreational activity. The popularity of incorporating game, fowl, and fish into still life compositions among amateur photographers during this period is evident in Baily's work. This particular image not only demonstrates his technical skills but also reflects the prevailing interests and artistic trends of his time. Preserved as an albumen print from a wet collodion negative, this remarkable piece belongs to Heritage Art/Heritage Images' collection curated by John Hamilton Craigie. The photograph now resides at The Cleveland Museum of Art where it continues to captivate viewers with its timeless beauty and historical significance.
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