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Mime writhes under the lashes he receives, 1910. Artist: Arthur Rackham
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Mime writhes under the lashes he receives, 1910. Artist: Arthur Rackham
Mime writhes under the lashes he receives, 1910. Illustration from The Rhinegold and the Valkyrie. Alberich puts on the Tarnhelm and becomes invisible, beating Mime to taunt him. From Das Rheingold. From a private collection
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Media ID 15141242
© Historica Graphica Collection / Heritage-Images
Alberich Arthur Arthur Rackam Arthur Rackham Beating Brother Bullying Cave Caves Cruel Cruelty Der Ring Des Nibelungen Dwarf Germanic Invisible Legend Legendary Magic Mime Myth Norse Mythology Pain Punishing Punishment Rackham Rhine Gold Richard Richard Wagner Taunting The Ring Of The Nibelung Underground Wagner Whipping Wilhelm Richard Wagner Historica Graphica Collection
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Caption: Mime's Torturous Ordeal: A Captivating Illustration from Arthur Rackham's "The Rhinegold and the Valkyrie". This print captures a dramatic scene from Arthur Rackham's renowned illustration series, "The Rhinegold and the Valkyrie". Created in 1910, this lithograph depicts a pivotal moment from Richard Wagner's opera Das Rheingold. The image showcases the cruel treatment of Mime, a dwarf character who suffers under Alberich's torment. In this vividly colored artwork, we witness Mime writhing in pain as he endures lashings inflicted upon him by his brother Alberich. Seeking to taunt his sibling further, Alberich has donned the powerful Tarnhelm, rendering himself invisible while inflicting punishment on poor Mime. This act of bullying underscores the complex dynamics within their family and highlights themes of cruelty and power struggles prevalent throughout Germanic mythology. Rackham skillfully brings this legendary Norse mythological tale to life through his meticulous attention to detail and mastery of color. The underground cave setting adds an air of mystery and enchantment to the scene as these mythical beings engage in magical acts. Preserved in a private collection today, this historic lithograph serves as both an artistic masterpiece and a testament to Rackham's contribution to British art during the early 20th century. It stands as a reminder of how visual interpretations can enhance our understanding and appreciation for classical operatic works like Wagner's Der Ring
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