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Madonna in Glory with Seraphim, c1469-1470, (1937). Creator: Sandro Botticelli

Madonna in Glory with Seraphim, c1469-1470, (1937). Creator: Sandro Botticelli


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Madonna in Glory with Seraphim, c1469-1470, (1937). Creator: Sandro Botticelli

Madonna in Glory with Seraphim, c1469-1470, (1937). Virgin and child. Painting in the Uffizi Gallery, Florence. From " Sandro Botticelli" by Lionello Venturi. [George Allen & Unwin Ltd, London, 1937]

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Media ID 18777698

© The Print Collector/Heritage Images

Alessandro Alessandro Botticelli Alessandro Di Filipepi Alessandro Di Mariano Alessandro Di Mariano Di Vanni Filipepi Alessandro Di Mariano Filipepi Alessandro Filipepi Allen And Allen And Unwin Botticelli Bottichelli Di Filipepi Filipepi Florence Florentine George Allen And Unwin Ltd Halo Il Botticello Lionello Lionello Venturi Madonna And Child Our Saviour Saint Mary Sandro Sandro Botticelli Sandro Bottichelli Seraphim St Mary Stella Maris The Virgin Mary Unwin Venturi Virgin Mother Infancy Infant Mother Of God Virgin And Child


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> Arts > Art Movements > Medieval Art

> Arts > Art Movements > Renaissance Art

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> Arts > Artists > Sandro Botticelli > Madonna and Child artworks

> Arts > Artists > Sandro Botticelli > Religious paintings

> Arts > Artists > Sandro Botticelli

> Europe > Italy > Florence

> Europe > Italy > Paintings

> Europe > Italy > Tuscany > Florence


EDITORS COMMENTS
This print showcases Sandro Botticelli's masterpiece, "Madonna in Glory with Seraphim" created between 1469-1470. The painting, housed in the renowned Uffizi Gallery in Florence, depicts the Virgin Mary and baby Jesus surrounded by heavenly seraphim. Botticelli's talent for capturing ethereal beauty is evident as he portrays the Madonna with a serene expression and delicate features. The vibrant colors bring life to this biblical scene, emphasizing the divine nature of motherhood and love. Mary tenderly holds her infant son while being enveloped by a golden halo symbolizing her holiness. The cherubic seraphim add an enchanting touch to the composition, their angelic presence enhancing the spiritual atmosphere. Botticelli's work reflects his mastery of both technique and emotion, showcasing his status as one of Italy's greatest Renaissance painters. This particular print was featured in Lionello Venturi's book "Sandro Botticelli" published by George Allen & Unwin Ltd in London during 1937. As we gaze upon this artwork from centuries past, we are reminded of its timeless appeal and enduring significance within Christian iconography. It serves as a testament to the power of art to transcend time and connect us with our cultural heritage. Whether admired for its religious symbolism or appreciated purely for its aesthetic beauty, this iconic image continues to captivate viewers across generations.

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