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John, 1922. Creator: Henry Traut
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John, 1922. Creator: Henry Traut
John, 1922. Melchior Breitsamter as St John in the Oberammergau Passion Play. The play is performed every 10 years, on open-air stages, by the inhabitants of the village of Oberammergau in Bavaria, Germany. First staged in 1634, the play tells the story of Jesus passion, culminating in his crucifixion. The event has become a tourist attraction, with audiences coming from all over the world. Official postcard of the 1922 Oberammergau Passion Play. [F. Bruckmann, Munich, Germany, 1922]
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Media ID 19297267
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Am Dram Amateur Dramatics Atelier Henry Traut Bavaria Bruckmann Bruckmann F Bruckmann Friedrich Camp Crook Crosier Crozier F Bruckmann Friedrich Friedrich Bruckmann Heinrich Heinrich Traut Henry Henry Traut Kitsch Melchior Oberammergau Oberammergau Oberbayern Bavaria Germany Oberammergau Passion Play Oberbayern Passion Play St John The Baptist Thinking Thoughtful Tradition Traut Traut Heinrich Traut Henry Typical Verlagsanstalt F Bruckmann Ag Breitsamter
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John, 1922. Melchior Breitsamter as St John in the Oberammergau Passion Play. This print by Henry Traut captures a moment of profound emotion and contemplation during the renowned Oberammergau Passion Play in Bavaria, Germany. Dating back to 1634, this centuries-old tradition brings together the inhabitants of Oberammergau every ten years to reenact the story of Jesus' passion and crucifixion. The play has evolved into a global tourist attraction, drawing audiences from all corners of the world. In this image, Melchior Breitsamter embodies St John with remarkable intensity. Dressed in an elaborate costume that reflects the authenticity and attention to detail characteristic of this production, he holds a crook or crosier symbolizing his role as a shepherd guiding his flock towards salvation. Traut's composition beautifully captures Breitsamter's thoughtful expression as he portrays St John's deep connection with spirituality and devotion. The vibrant colors add depth and richness to the scene while highlighting both the theatricality and religious significance of this performance. This postcard from 1922 serves as a testament to not only Traut's artistic talent but also to the enduring power of tradition and faith. It invites us into a world where amateur actors become performers on open-air stages, transporting viewers through time into an immersive experience that merges religion, history, culture, and art.
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