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I could not hear what terms he offer d them, c1890. Creator: Gustave Doré
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I could not hear what terms he offer d them, c1890. Creator: Gustave Doré
I could not hear what terms he offer d them, c1890. Dante and the Roman poet Virgil land on the far bank of the river Styx. Illustration from " The Vision of Hell" (Inferno), the first part of " The Divine Comedy" (La divina commedia) by Dante Alighieri. This long, narrative poem, written in Italian c1308-1321, tracing Dantes imaginary journey from Hell, through Purgatory and finally to Heaven and a beatific vision of God, has been published numerous times. This edition, published late 19th century, is illustrated by Gustave Dore. [Cassell Petter & Galpin, c1890]
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Media ID 18909460
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Aligheri Alighieri Anger Dante Dante Aligheri Dante Alighieri Divina Commedia Divine Comedy Dore Ferry Fury Gustave Gustave Dore Hell Louis Christophe Gustave Dore Paul Gustave Paul Gustave Dore Petter And Galpin Poem Publius Publius Vergilius Maro Rage Soul Souls Styx Torment Tormented Vergil Vergilio Vergilius Maro Virgil Cassell Greek Mythology Nakedness Nudity Poetry
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This photo print, titled "I could not hear what terms he offered them" takes us back to the late 19th century. Created by the talented Gustave Doré, it is an illustration from Dante Alighieri's renowned literary masterpiece, "The Divine Comedy". The scene depicted here showcases Dante and his guide, the Roman poet Virgil, as they arrive on the far bank of the mythical river Styx. As we gaze upon this mesmerizing artwork, we are transported into Dore's vivid imagination. The intricate details in his engraving bring to life a hauntingly beautiful landscape filled with anguish and torment. We witness souls trapped in eternal suffering while being ferried across the treacherous waters by Phlegyas. Dante's journey through Hell serves as a powerful allegory for human sin and divine justice. This particular moment captures our attention with its intense emotions – anger, fury, and despair – all expertly conveyed through Doré's masterful use of light and shadow. Published during the late 19th century by Cassell Petter & Galpin, this edition of "The Divine Comedy" stands out due to Gustave Doré's exceptional illustrations that have become iconic representations of Dante's epic poem. Through this timeless image captured on paper over a century ago, we are reminded of both the enduring power of literature and artistry that transcends time itself.
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