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The Graces Decorating a Terminal Figure of Hymen, 1773, (1911). Artist: Sir Joshua Reynolds
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The Graces Decorating a Terminal Figure of Hymen, 1773, (1911). Artist: Sir Joshua Reynolds
The Graces Decorating a Terminal Figure of Hymen, 1773, (1911). Barbara Montgomery (1757-1788), Elizabeth Montgomery (1751-1783) and Anne Montgomery (1752-1819) daughters of William Montgomery of Magbiehill (1717-1788), Member of Parliament for Ireland. The three women are shown gathering flowers to decorate a statue of Hymen, the Roman god of marriage. Painting held at the Tate Britain, London. From A History of Painting, Volume VII, by Haldane MacFall. [T. C. and E. C. Jack, London & Edinburgh, 1911]
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Media ID 14969490
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Anne Barbara Charity Cooperation Decorating Drape Elizabeth Faith Graces Grand Style Haldane Macfall History Of Painting Hope Human Likeness Hymen Jack Joshua Joshua Reynolds Male Likeness Montgomery Number Ornament Publishers Reynolds Sir Joshua Sir Joshua Reynolds Sister Tate Britain Tc And Ec Tc And Ec Jack Terminal Three Graces Allegorical Figure Artistic Movement Greek Mythology
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EDITORS COMMENTS
This print showcases Sir Joshua Reynolds' masterpiece, "The Graces Decorating a Terminal Figure of Hymen" from 1773. The painting depicts three elegant women, Barbara Montgomery, Elizabeth Montgomery, and Anne Montgomery, daughters of William Montgomery of Magbiehill. These graceful ladies are depicted gathering flowers to adorn a statue of Hymen, the Roman god of marriage. The image exudes a sense of cooperation and family unity as the sisters work together harmoniously in their task. Their vibrant red dresses add a splash of color to the scene while symbolizing passion and love associated with marriage. Set against a backdrop reminiscent of ancient Rome, this artwork transports viewers to another time and place. Reynolds skillfully captures the essence of hope and faith through his portrayal of these allegorical figures. The composition is meticulously detailed with intricate ornaments adorning both the women's attire and the terminal figure itself. This grand style reflects Reynolds' mastery as an artist during the 18th century. Displayed at Tate Britain in London, this painting continues to captivate audiences with its timeless beauty. It serves as a testament to Reynolds' ability to bring mythological concepts into human likeness through oil on canvas portraits. This remarkable print allows us to appreciate not only Reynolds' artistic movement but also provides insight into historical figures such as William Montgomery and his accomplished daughters - Barbara, Elizabeth, and Anne - who played significant roles in Ireland's political landscape during their time.
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