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Disinterested Advisers, 1875. Artist: Joseph Swain
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Disinterested Advisers, 1875. Artist: Joseph Swain
Disinterested Advisers, 1875. Turkey is surrounded by Disinterested Advisers in the shape of the Russian Bear and the Eagles representing Austria and Germany. The British Lion remains aloof in the background. This matter goes back some way to 1873 when the three powers of Russia, Germany and Austria formed a loose alliance. At the same time, Turkish administration was failing and the Ottoman Empire was heading towards bankruptcy. The three powers were keen to avoid this crisis and eventually agreed upon a course of diplomatic action to pacify insurgent districts such as Bosnia whose people had recently revolted against Turkey. From Punch, or the London Charivari, November 20, 1875
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Media ID 14831325
© The Print Collector / Heritage-Images
Advice Advising Advisor British Lion Eagle Heritage Image Partnership John Tenniel Joseph Swain Lion Russian Bear Sir John Tenniel Swain Tenniel Turkey Turkish Allegorical Figure
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EDITORS COMMENTS
The print titled "Disinterested Advisers, 1875" captures a significant moment in history through the artistic vision of Joseph Swain. In this satirical cartoon, Turkey finds itself surrounded by disinterested advisers symbolized by the Russian Bear and the Eagles representing Austria and Germany. The British Lion stands aloof in the background, observing the unfolding events. This image reflects a complex political landscape that emerged in 1873 when Russia, Germany, and Austria formed an alliance amidst Turkish administration's failure and the Ottoman Empire's impending bankruptcy. Faced with these challenges, the three powers sought to pacify insurgent districts like Bosnia which had recently revolted against Turkey. Swain's artwork highlights not only their occupation but also their allegorical significance. The Russian Bear represents Russia's dominance while the Austrian and German Eagles signify their respective countries' influence on Turkish affairs. The presence of the British Lion in the background suggests Britain's detached stance towards these developments. This portrayal emphasizes Britain's reluctance to involve itself directly in Eastern European politics during this period. Through his engraving skills, Swain effectively conveys both historical context and satire within this monochrome print. His collaboration with renowned artist John Tenniel adds further depth to this thought-provoking piece. Overall, "Disinterested Advisers" serves as a testament to Swain's talent for capturing intricate political dynamics through visual storytelling while shedding light on an important chapter in 19th-century history.
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