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Death of Edward the Confessor, 1042 (1866). Artist: Daniel Maclise
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Death of Edward the Confessor, 1042 (1866). Artist: Daniel Maclise
Death of Edward the Confessor (c1003-66). Anglo-Saxon king of England from 1042. Edwards death. Illustration by Daniel Maclise for The Story of The Norman Conquest, London, 1866. Engraving
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Media ID 14838965
© Ann Ronan Picture Library / Heritage-Images
11th Century Anglo Saxon Daniel Daniel Maclise Deathbed Despair Devastation Edward The Confessor Eleventh Century King Of England Maclise Saint Edward The Confessor St Edward The Confessor Weeping Ann Ronan Pictures
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EDITORS COMMENTS
This print, titled "Death of Edward the Confessor, 1042 (1866)", transports us back to a pivotal moment in English history. Created by the talented artist Daniel Maclise for his work "The Story of The Norman Conquest", this engraving beautifully captures the solemnity and despair surrounding the passing of King Edward the Confessor. In this poignant illustration, we witness a scene filled with sorrow and devastation. As Edward lies on his deathbed, surrounded by mournful figures, we can almost feel their collective grief permeating through the image. The anguished expressions on their faces reflect not only their personal loss but also symbolize a nation mourning its beloved monarch. Maclise's attention to detail is evident in every stroke of his pen. From the intricate folds of clothing to the delicate shading that brings depth to each character's face, he masterfully conveys both emotion and historical accuracy. Through this artwork, we are transported back to 11th century England - a country grappling with uncertainty as it faced an uncertain future without its revered king. As we gaze upon this powerful portrait, we cannot help but be reminded of Edward's significance in shaping English history. His reign marked a crucial period between Anglo-Saxon rule and Norman conquest – an era that would forever alter the course of England’s destiny. "Death of Edward the Confessor" serves as a testament not only to Daniel Maclise's artistic prowess but also to our enduring fascination with historical
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