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Cover Design for The Savoy No. 8, 1896. Creator: Aubrey Beardsley

Cover Design for The Savoy No. 8, 1896. Creator: Aubrey Beardsley


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Cover Design for The Savoy No. 8, 1896. Creator: Aubrey Beardsley

Cover Design for The Savoy No. 8, 1896. An androgynous figure in a turban tilts forward on a stool. Published in " The Best of Beardsley" edited by R. A. Walker, [The Bodley Head, London, 1948]

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Media ID 24364838

© Shirley Markham Collection/Heritage Images

Androgynous Aubrey Beardsley Aubrey Vincent Beardsley Beardsley Aubrey Beardsley Aubrey Vincent Bodley Head Decadent Movement Gender Gender Fluid Leonard Charles Smithers Leonard Smithers Non Binary Publishing Publishing House R A Walker Rainforth Armitage Walker Shirley Markham Smithers Leonard Smithers Leonard Charles The Savoy Turban Turbans Walker Walker R A Walker Rainforth Armitage Graphic Design Head Dress Headgear


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Art Nouveau

> Arts > Artists > B > Aubrey Beardsley

> Arts > Artists > H > Guy Head

> Arts > Literature > Books

> Arts > Literature > Illustration

> Arts > Literature > Magazines

> Arts > Literature

> Europe > United Kingdom > England > London > Towns > Shirley


EDITORS COMMENTS
This print showcases the mesmerizing cover design for The Savoy No. 8, created by the renowned artist Aubrey Beardsley in 1896. Beardsley, a prominent figure of the Art Nouveau movement, was known for his unique androgynous style that challenged traditional gender norms. In this particular artwork, an enigmatic figure adorned with a turban takes center stage as they tilt forward on a stool. The androgyny of the subject adds an intriguing layer to the composition, blurring the lines between male and female identities. This representation reflects Beardsley's exploration of gender fluidity during a time when such concepts were not widely discussed. The cover design was originally published in "The Best of Beardsley" edited by R. A. Walker in 1948, offering readers a glimpse into Beardsley's remarkable artistic vision from over half a century earlier. The Bodley Head publishing house in London played an instrumental role in bringing this masterpiece to life. Beardsley's intricate illustration is complemented by delicate lettering that enhances its overall aesthetic appeal. Leonard Smithers and Rainforth Armitage Walker were key figures involved in promoting Beardsley's work through their publishing endeavors. This evocative image serves as a testament to Aubrey Beardsley's enduring legacy as one of Britain's most influential artists of the late 19th century. It continues to captivate audiences today with its striking beauty and thought-provoking

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