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Comforts of Bath, Plate 9, January 6, 1798. January 6, 1798. Creator: Thomas Rowlandson

Comforts of Bath, Plate 9, January 6, 1798. January 6, 1798. Creator: Thomas Rowlandson


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Comforts of Bath, Plate 9, January 6, 1798. January 6, 1798. Creator: Thomas Rowlandson

Comforts of Bath, Plate 9, January 6, 1798

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Media ID 19986762

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Alcohol Bath Bath And Northeast Somerset Carriage Comforts Of Bath Disease Eating Funny Gout Greedy Holiday Holidays Invalid Invalid Carriage On Holiday Port Rowlandson Rowlandson Thomas Suckling Pig Swine Thomas Rowlandson Vacation Wheelchair Aquatint Hand Tinted


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> Arts > Artists > H > Thomas Hand

> Arts > Artists > R > Thomas Rowlandson

> Europe > United Kingdom > England > Bath

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > England > Somerset > Bath

> Europe > United Kingdom > England > Somerset > Related Images

> Humour > Postcard

> Humour > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art


Comforts of Bath - A Satirical Glimpse into 18th Century Holidaying

EDITORS COMMENTS
. In this humorous and satirical print titled "Comforts of Bath, Plate 9" created by Thomas Rowlandson in January 6,1798, we are transported back to the vibrant city of Bath in England. The scene captures the essence of holidaying during the eighteenth century. Rowlandson's hand-colored aquatint showcases a bustling street filled with people indulging in various activities. At the forefront, an invalid carriage carries a portly gentleman suffering from gout. This comical sight is juxtaposed with a suckling pig being wheeled alongside him - perhaps an ironic commentary on excess and gluttony. The artist's keen eye for detail is evident as he depicts individuals relishing their time off. We witness merry-making through drinking, eating, and laughter while others enjoy leisurely rides in carriages or wheelchairs along the road transport system of that era. This artwork not only provides entertainment but also offers social commentary on society's obsession with pleasure-seeking and self-indulgence. Rowlandson cleverly uses satire to highlight both the comforts and vices associated with holidays. Today, this piece can be found at The Metropolitan Museum of Art (The Met), serving as a window into our past and reminding us that human nature remains constant across centuries. It serves as a testament to Rowlandson's artistic talent and his ability to capture everyday life with wit

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