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Come a Cropper!, 1873. Artist: Joseph Swain
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Come a Cropper!, 1873. Artist: Joseph Swain
Come a Cropper!, 1873. Mr Gladstone, the Liberal Prime Minister, stands beside his fallen steed, as a bunch of assorted Irish priests and peasants shuffle off. This relates to Gladstones attempts to push through his Irish University Bill. This was intended to remove religious discrimination from education, but was thoroughly opposed by the various religious factions, particularly by Irish Catholics. Gladstone was defeated by three votes. From Punch, or the London Charivari, March 22, 1873
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Media ID 14831646
© The Print Collector / Heritage-Images
Defeat Defeated Equality Gladstone Heritage Image Partnership Ireland Irish John Tenniel Joseph Swain Liberal Liberal Party Member Of Parliament Peasant Peasants Priest Prime Minister Sir John Tenniel Swain Tenniel William Ewart William Ewart Gladstone Roman Catholicism
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Come a Cropper!, 1873 - A Political Battle Unmounted
EDITORS COMMENTS
. In this photo print, we witness the aftermath of a political struggle that unfolded in 19th century Britain. Depicted is William Ewart Gladstone, the Liberal Prime Minister, standing beside his fallen steed. The scene symbolizes his failed attempt to push through the Irish University Bill and remove religious discrimination from education. Surrounding Gladstone are an assortment of Irish priests and peasants shuffling off, representing the various religious factions who vehemently opposed the bill, particularly Irish Catholics. Their resistance ultimately led to Gladstone's defeat by a mere three votes. This powerful image captures not only the clash between politics and religion but also highlights issues of poverty and inequality within society. It serves as a reminder of the challenges faced by politicians striving for progress amidst deeply rooted beliefs and traditions. The monochrome engraving adds depth to this historic moment, emphasizing its significance in British history. Created by Joseph Swain with contributions from renowned artist John Tenniel, this artwork showcases their talent in capturing complex concepts through visual storytelling. As we reflect on this heritage image partnership between creators Swain and Tenniel, it becomes evident that even great statesmen like Gladstone can be "unmounted" when faced with formidable opposition. This print stands as a testament to both political resilience and societal divisions that continue to shape our world today.
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