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Canal at Pont Sainte-Maxence, c. 1878. Creator: Maxime Lalanne (French, 1827-1886)

Canal at Pont Sainte-Maxence, c. 1878. Creator: Maxime Lalanne (French, 1827-1886)


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Canal at Pont Sainte-Maxence, c. 1878. Creator: Maxime Lalanne (French, 1827-1886)

Canal at Pont Sainte-Maxence, c. 1878. Lalanne made an important contribution to the etching revival in mid-19th-century France. In 1862, he was one of the founders of the Etching Society (Societe des Aquafortistes) with whom he published numerous landscape and architectural prints

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Media ID 19617855

© Heritage Art/Heritage Images

1827 1886 Etching On Chine Collé Maxime Lalanne Maxime Lalanne French


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> Architecture > Country > France

> Europe > United Kingdom > England > Cleveland


EDITORS COMMENTS
This print titled "Canal at Pont Sainte-Maxence, c. 1878" by Maxime Lalanne showcases the artist's significant contribution to the etching revival in mid-19th-century France. Lalanne, a French artist born in 1827 and passed away in 1886, played a pivotal role as one of the founders of the Etching Society (Societe des Aquafortistes) in 1862. Lalanne's expertise is evident in this stunning landscape and architectural print that beautifully captures the essence of Pont Sainte-Maxence's canal during that era. The intricate details and meticulous technique employed by Lalanne highlight his mastery as an etcher. The Canal at Pont Sainte-Maxence exudes a sense of tranquility and nostalgia, transporting viewers back to late 19th-century France. The composition flawlessly balances nature with man-made structures, showcasing Lalanne's ability to harmonize these elements seamlessly. Displayed within The Cleveland Museum of Art, this etching on chine collé exemplifies Lalanne's dedication to his craft and his passion for capturing landscapes with remarkable precision. It serves as a testament to his artistic legacy and enduring influence on the art world. Heritage Art/Heritage Images presents this exceptional print from their collection without any commercial intent. By preserving and sharing works like "Canal at Pont Sainte-Maxence" they ensure that future generations can appreciate Maxime Lalanne's remarkable talent while

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