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Aristotle and Phyllis, 1513 (1964)
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Aristotle and Phyllis, 1513 (1964)
Aristotle and Phyllis, 1513 (1964). Aristotle seduced and humiliated by Phyllis after he objected to her distracting his pupil, Alexander, from his studies. A print from A History of Wood Engraving, by Douglas Percy Bliss, Spring Books, London, 1964
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Media ID 14955718
© The Print Collector / Heritage-Images
Aristotle Baldung Bliss Crawling Douglas Percy Douglas Percy Bliss Grien Grun Hans Hans Baldung Hans Baldung Grien Hans Baldung Grun Humiliated Humiliating Humiliation Philosopher Philosophy Phyllis Position Ancient Greek Greek Mythology Nakedness Nudity Wood Engraving
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EDITORS COMMENTS
The captivating print titled "Aristotle and Phyllis, 1513 (1964)" transports us back to a moment of ancient Greek mythology intertwined with the Renaissance era. In this intriguing scene, we witness Aristotle, the renowned philosopher and tutor of Alexander the Great, being seduced and humiliated by Phyllis. The image beautifully captures the tension between wisdom and desire. Set in a lush German garden surrounded by towering trees, both Aristotle and Phyllis are depicted in their natural state - nakedness symbolizing vulnerability. As Aristotle sits on a stone bench engrossed in his studies, Phyllis crawls on her hands and knees towards him with an air of mischief. Her intent is clear - to distract Alexander's mentor from his scholarly pursuits. This wood engraving, part of Douglas Percy Bliss' comprehensive book "A History of Wood Engraving" showcases Hans Baldung Grien's masterful artistry. The monochrome composition adds depth to the narrative while emphasizing the contrast between light and shadow. Through this evocative artwork, we are reminded that even great minds can succumb to temptation. It serves as a timeless reminder that intellect alone cannot shield one from human desires or prevent moments of humiliation. As we delve into this mesmerizing print from centuries past, it invites us to ponder our own vulnerabilities amidst life's complexities – an enduring testament to art's ability to transcend time and provoke contemplation.
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