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An Allegory of the Vanities of Human Life, c. 1640. Artist: Steenwijck, Harmen (1612-1656)
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An Allegory of the Vanities of Human Life, c. 1640. Artist: Steenwijck, Harmen (1612-1656)
An Allegory of the Vanities of Human Life, c. 1640. Found in the collection of the National Gallery, London
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Media ID 14898850
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Abundance Affluence Barock Cornucopia Death Symbols Depts Eternity Futility Life And Death Luxuriancy Memento Mori Money Opulence Prosperity Riche Riches Richness Sinful Skull Stinginess Transience Vain Vanitas Vanity Wealth Wealthiness
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EDITORS COMMENTS
This print showcases "An Allegory of the Vanities of Human Life" painted by Harmen Steenwijck in 1640. The artwork, currently housed in the National Gallery, London, is a profound representation of wealth and its transient nature. In this baroque masterpiece, Steenwijck skillfully combines various symbols to convey his message. A stack of books and a luxurious painting symbolize affluence and prosperity, while an abundance of riches spills out from a cornucopia. However, amidst this opulence lies a stark reminder of mortality - a skull placed prominently on the table. The artist's intention becomes clear as he explores themes such as vanity, futility, and sinfulness. Through meticulous detail and fine artistry with oil on wood technique, Steenwijck invites viewers to contemplate life's transience and the emptiness that accompanies materialistic pursuits. "Memento mori". Latin for "remember death" is at the heart of this composition. It serves as a powerful reminder that no matter how much wealth one accumulates during their lifetime, it ultimately holds no value in eternity. Steenwijck's work challenges our obsession with worldly possessions and urges us to seek meaning beyond materialism. This thought-provoking still life captures both the allure and hollowness inherent in pursuing riches alone. As we gaze upon this remarkable piece by Harmen Steenwijck, we are reminded that true richness lies not in amassing wealth but rather in embracing
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