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The Flagellation of Christ, by Jean I. Penicaud (c. 1500-1530), c. 1510 (Limoges enamel)

The Flagellation of Christ, by Jean I. Penicaud (c. 1500-1530), c. 1510 (Limoges enamel)


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The Flagellation of Christ, by Jean I. Penicaud (c. 1500-1530), c. 1510 (Limoges enamel)

BAL4008 The Flagellation of Christ, by Jean I. Penicaud (c.1500-1530), c.1510 (Limoges enamel) by French School, (16th century); Victoria & Albert Museum, London, UK; French, out of copyright

Media ID 12875036

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Enamelling Passion Whip Whipping Station Of The Cross


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EDITORS COMMENTS
This print showcases "The Flagellation of Christ" a remarkable work of art created by Jean I. Penicaud between 1500 and 1530. Crafted using the intricate technique of Limoges enamel, this masterpiece is believed to have been completed around 1510. Displayed at the Victoria & Albert Museum in London, UK, this piece represents an important moment in Christian history - the flagellation or whipping of Jesus Christ during his Passion. The artist's attention to detail and skillful enamelling bring this scene to life, evoking a sense of profound emotion and religious devotion. The composition centers on Christ, depicted as a male figure enduring the painful lashes from a whip. His expression reflects both suffering and resilience, capturing the essence of his sacrifice for humanity's salvation. Surrounding him are other figures that bear witness to this brutal act. Penicaud's use of vibrant colors against a dark background adds depth and intensity to the artwork. Each brushstroke reveals meticulous craftsmanship that highlights every texture and contour with precision. "The Flagellation of Christ" serves as one station along the journey known as the Stations of the Cross – a series depicting significant events leading up to Jesus' crucifixion. This particular panel stands out not only for its artistic brilliance but also for its ability to inspire contemplation on faith, redemption, and compassion. Through this print from Fine Art Finder by www. bridgemanimages. com, viewers can appreciate Penicaud's mastery while connecting with their

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