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Two of a Kind (Tal para Qual), 1799 (etching, aquatint & drypoint)

Two of a Kind (Tal para Qual), 1799 (etching, aquatint & drypoint)


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Two of a Kind (Tal para Qual), 1799 (etching, aquatint & drypoint)

1071366 Two of a Kind (Tal para Qual), 1799 (etching, aquatint & drypoint) by Goya y Lucientes, Francisco Jose de (1746-1828); 19.7x14.6 cm; Dallas Museum of Art, Texas, USA; (add.info.: Tal para qual; may depict Queen Maria Luisa Teresa of Parma (1751-1819) and Manuel de Godoy (1767-1851) Prime Minister of Spain; ); Foundation for the Arts, The Alfred and Juanita Bromberg Collection, bequest of Juanita K. Bromberg; Spanish, out of copyright

Media ID 22511504

© Foundation for the Arts, The Alfred and Juanita Bromberg Collection, bequest of Juanita K. Bromberg / Bridgeman Images

Los Caprichos Plate 5 Prime Minister Manuel De Godoy Two Of A Kind


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EDITORS COMMENTS
This print titled "Two of a Kind (Tal para Qual), 1799" by Francisco Jose de Goya y Lucientes transports us to the world of Spanish satire and caricature. Measuring at 19.7x14.6 cm, this etching, aquatint, and drypoint masterpiece can be found in the Dallas Museum of Art in Texas, USA. The artwork is believed to depict Queen Maria Luisa Teresa of Parma and Manuel de Godoy, the Prime Minister of Spain during that time. The title "Tal para qual" translates to "Two of a kind" suggesting a close relationship or similarity between these two prominent figures. Goya's satirical approach shines through as he uses his artistic skills to create a humorous portrayal of these individuals. This piece is part of Goya's larger body of work called "Los Caprichos" where he delves into social commentary and critiques various aspects of Spanish society. The Foundation for the Arts acquired this print from The Alfred and Juanita Bromberg Collection as part of Juanita K. Bromberg's bequest. It now resides in the Dallas Museum of Art for art enthusiasts to admire. As we gaze upon this intriguing image, we are reminded not only of Goya's exceptional talent but also his ability to use art as a tool for political commentary and social critique.

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