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Portrait of Ziba Khanoum, Persian princess. Engraving by E

Portrait of Ziba Khanoum, Persian princess. Engraving by E


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Portrait of Ziba Khanoum, Persian princess. Engraving by E

LSE4333778 Portrait of Ziba Khanoum, Persian princess. Engraving by E.Bayard, after a photograph, to illustrate the story " Persia, Chaldee and Susiane" in 1881-1882, by Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, academic officer. Published in the Tour du monde, 2nd semester 1883, edited by Edouard Charton (1807-1890), Hachette edition, Paris. by Bayard, Emile Antoine (1837-91); Private Collection; (add.info.: Portrait of Ziba Khanoum, Persian princess. Engraving by E.Bayard, after a photograph, to illustrate the story " Persia, Chaldee and Susiane" in 1881-1882, by Jane Dieulafoy (nee Magre, 1851-1916), archeologist and writer, academic officer. Published in the Tour du monde, 2nd semester 1883, edited by Edouard Charton (1807-1890), Hachette edition, Paris.); Photo eLeonard de Selva; French, out of copyright

Media ID 22300836

© Leonard de Selva / Bridgeman Images

Iran Iranian Persian


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EDITORS COMMENTS
This engraving depicts the elegant portrait of Ziba Khanoum, a Persian princess. Created by Emile Antoine Bayard in 1881-1882, this engraving was based on a photograph taken to illustrate the story "Persia, Chaldee and Susiane" written by Jane Dieulafoy. Dieulafoy, an accomplished archaeologist and writer, provided valuable insights into Persian culture through her work. Ziba Khanoum's regal presence is beautifully captured in this artwork. Her eyes exude wisdom and depth while her posture reflects grace and poise. The intricate details of her traditional Persian attire showcase the richness of Iranian culture during that era. Published in the Tour du monde magazine in 1883, edited by Edouard Charton, this engraving offers a glimpse into the historical context of Persia at that time. It serves as a testament to the fascination with Eastern cultures prevalent among European intellectuals during the late 19th century. Leonard de Selva's photograph perfectly captures every nuance of Bayard's exquisite engraving. This image transports us back to a time when art was used as a medium for cultural exploration and appreciation. As we admire Ziba Khanoum's portrait today, we are reminded of the enduring beauty found within different cultures around the world. This print serves as both an artistic masterpiece and an important historical artifact that continues to captivate viewers with its timeless allure.

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