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The burned drugs (gravure)
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The burned drugs (gravure)
3620951 The burned drugs (gravure) by Leloir, Maurice (1853-1940); Private Collection; (add.info.: The burned drugs. Les drogues brulees. Illustration for Les Confessions de Jean-Jacques Rousseau (Tallandier, c 1920).); © Look and Learn
Media ID 22733140
© Look and Learn / Bridgeman Images
Autobiographical Autobiography Burned Drugs Francoise Louise De Warens Jean Jacques Rousseau Les Confessions Madame De Warens Medical Supplies Philosophy Piano Saucepan Asclepius Asklepieion Asklepios Medical Science Medical Services Physical Health
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The Burned Drugs - A Glimpse into Rousseau's Autobiographical Journey
EDITORS COMMENTS
. This photo print, titled "The Burned Drugs" offers a fascinating visual representation of the life and experiences of renowned philosopher Jean-Jacques Rousseau. Created by Maurice Leloir in the early 20th century, this gravure is an illustration for Rousseau's seminal work, "Les Confessions". In this intriguing image, we see a woman standing beside a saucepan filled with burned drugs. This scene alludes to Madame de Warens, Francoise Louise de Warens, who played a significant role in Rousseau's life and served as his mentor during his formative years. The burnt drugs symbolize the tumultuous journey of self-discovery that Rousseau embarked upon. Rousseau himself can be seen playing the piano in the background while lost in deep thought. This portrayal highlights his passion for music and its profound influence on his philosophical ideas. The engraving also incorporates elements such as Asklepios (the Greek god of healing) and references to medical science, emphasizing the importance of physical health within Rousseau's narrative. Through this evocative artwork, we are transported back to 18th-century France and given a glimpse into the complex world of one of history's most influential thinkers. It serves as both an homage to Rousseau's autobiographical masterpiece and an invitation for viewers to delve deeper into his philosophy and writings.
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