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New Front of Whites Almshouses (copy of original design) (pencil & w / c on paper)
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New Front of Whites Almshouses (copy of original design) (pencil & w / c on paper)
2831620 New Front of Whites Almshouses (copy of original design) (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; (add.info.: New Front (1824-1825) of Whites Almshouses (copy of original design)); eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908; British, out of copyright
Media ID 22429828
© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images
Almshouses Bristol Castellated Gothic Revival Gothick Neo Gothic Victorian Gothic
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EDITORS COMMENTS
This print showcases the "New Front of Whites Almshouses" a remarkable architectural masterpiece that pays homage to the original design. Created by Hugh O'Neill in 1824, this pencil and watercolor on paper artwork is housed at the Bristol Museum and Art Gallery in the UK. The image transports us to a bustling cityscape, where the grandeur of these almshouses takes center stage. With its neo-gothic style and castellated features, it exudes an air of elegance and sophistication. The gothic revival movement prevalent during this era is beautifully captured in this piece. As we delve deeper into the scene, we are drawn to the intricate details that adorn each building. From ornate windows to delicate carvings, every element contributes to its Victorian gothic charm. This painting serves as a testament to British artistry and craftsmanship. The street scene depicted here brings life to this historic neighborhood. It invites us to imagine strolling along these cobblestone streets, taking in the sights and sounds of everyday life during that time period. Overall, this print not only captures a moment frozen in time but also celebrates an important chapter in England's architectural history. It stands as a reminder of our rich cultural heritage while showcasing O'Neill's talent for capturing beauty through his brushstrokes.
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