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Fores Contrasts: The Guard of 1832, The Guard of 1852, engraved by John Harris

Fores Contrasts: The Guard of 1832, The Guard of 1852, engraved by John Harris


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Fores Contrasts: The Guard of 1832, The Guard of 1852, engraved by John Harris

XYC208283 Fores Contrasts: The Guard of 1832, The Guard of 1852, engraved by John Harris (1811-65) 1852 (hand-coloured aquatint) by Alken, Henry Thomas (1785-1851) (after); 41x60.3 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Media ID 12756591

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Coach Coal Comparison Contrast Fore Horse And Carriage Horsepower Industrial Revolution Industrialisation Luggage Platform Power Rail Steam Engine Track


EDITORS COMMENTS
This print titled "Fores Contrasts: The Guard of 1832, The Guard of 1852" takes us on a journey through time and offers a striking visual comparison between two distinct eras. Engraved by the talented John Harris in 1852, this hand-coloured aquatint showcases the brilliant artistry of Henry Thomas Alken. The image transports us to an era when horse-drawn carriages were gradually being replaced by steam-powered trains. In the foreground, we see a guard from 1832 standing proudly beside his elegant carriage, representing the traditional mode of transportation during that period. His attire exudes Georgian charm and speaks to an era defined by grace and sophistication. Contrasting with this scene is another guard from 1852 stationed next to a powerful steam engine on a rail platform. This juxtaposition highlights the rapid industrialization and technological advancements brought about by the Victorian age. The emergence of coal-fired steam engines revolutionized transportation, marking a shift towards faster and more efficient modes of travel. As we delve into this artwork's intricate details, we are reminded not only of how far society has progressed but also how much it has transformed over time. From horsepower to steampower, this piece encapsulates both nostalgia for simpler times and awe at humanity's ability to adapt and innovate. Displayed at Yale Center for British Art as part of their esteemed Paul Mellon Collection in the USA, this print serves as a testament to our ever-evolving world while preserving moments

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Fores Contrasts: The Driver of 1832, The Driver of 1852, engraved by John Harris
Fores Contrasts: The Driver of 1832, The Driver of 1852, engraved by John Harris

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